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Threads of Light: Re-Examining a Motif in Southern African San Rock Art
16 references·16 citing·31 second hopsampled
Threads of Light: Re-Examining a Motif in Southern African San Rock Art (2000)Threads of Light: Re-Examining a Motif in…Tricksters and trancers: Bushman religion and society (2000)Tricksters and trancers: Bush…Nyae Nyae !Kung: beliefs and rites (2000)Nyae Nyae !Kung: beliefs and …Modelling the Production and Consumption of Rock Art (1995)Modelling the Production and …Reading art, writing history: Rock art and social change in Southern Africa (1994)Reading art, writing history:…Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples (1993)Hunters and Herders of Southe…Through the Veil: San Rock Paintings and the Rock Face (1990)Through the Veil: San Rock Pa…Images of Power: Understanding Bushman Rock Art (1990)Images of Power: Understandin…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…Revelations of religious reality: The individual in San rock art (1988)Revelations of religious real…The Nharo bushmen of Botswana : tradition and change (1986)The Nharo bushmen of Botswana…The Rock Art of Southern Africa (1984)The Rock Art of Southern Afri…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…The Thin Red Line: Southern San Notions and Rock Paintings of Supernatural Potency (1981)The Thin Red Line: Southern S…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…Ndedema. A documentation of the rock paintings of the Ndedema Gorge (1978)Ndedema. A documentation of t…Art of the Rocks of Southern Africa (1972)Art of the Rocks of Southern …Becoming elands’ people: Neoglacial subsistence and spiritual transformations in the Maloti-Drakensberg Mountains, southern Africa (2023)Becoming elands’ people: Neog…The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa (2021)The devil’s in the detail: re…An Introduction to the Stone Age Archaeology of the Polihali Dam Area, Mokhotlong District, Lesotho (2020)An Introduction to the Stone …Interest in geological and palaeontological curiosities by southern African non-western societies: A review and perspectives for future study (2019)Interest in geological and pa…Image-Makers (2019)Image-MakersCommunity involvement and heritage management in rural South Africa (2017)Community involvement and her…The Jackal and the Lion: Aspects of Khoisan Folklore (2016)The Jackal and the Lion: Aspe…Allusions to Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa (2015)Allusions to Agriculturist Ri…The Materiality of Rock Art and Quartz: a Case Study from Mpumalanga Province, South Africa (2013)The Materiality of Rock Art a…The imagistic web of San myth, art and landscape (2010)The imagistic web of San myth…From girls to women: female imagery in the San rock paintings of the Central Limpopo Basin, southern Africa (2005)From girls to women: female i…A new iconographic understanding of formlings, a pervasive motif in Zimbabwean rock art (2005)A new iconographic understand…'The men with rhebok's heads; they tame elands and snakes': Incorporating the rhebok antelope in the understanding of Southern African rock art (2005)'The men with rhebok's heads;…Cultured Representation (2004)Cultured RepresentationThe Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa: An Introduction to Problems of Southern African Rock-Art Regions (2002)The Rock Art of Bongani Mount…'Big Pictures': Insights into Southern African San Rock Paintings of Ostriches (2001)'Big Pictures': Insights into…The !Kung San: Men, Women and Work in a Foraging Society. (1981)Advances in world archaeology (1984)Land filled with flies: a political economy of the Kalahari (1990)THE ARCHAEOLOGY OF SYMBOLS (1998)Empowering Places: Rock Shelters and Ritual Control in Farmer-Forager Interactions in the Northern Province (2000)Taking Stock (2004)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Archaeology of Religious Ritual (2007)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)Languages of Art (1968)The Transfiguration of the Commonplace, a Philosophy of Art (1981)Seeing is deceiving: Rock art and the non-visual (2001)Memory and Material Culture? (2007)The Human Symbolic Revolution: A Darwinian Account (1995)Social Brain, Distributed Mind (2010)The discovery of fire by humans: a long and convoluted process (2016)The Origins of Image Making (1986)Australia's Ancient Warriors: Changing Depictions of Fighting in the Rock Art of Arnhem Land, N.T. (1994)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)African Archaeology (2005)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)Frazer strikes back from the armchair: a new search for the animist soul* (2011)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)Hunting, healing, and hxaro exchange (2002)The gripping nature of ochre: The association of ochre with Howiesons Poort adhesives and Later Stone Age mastics from South Africa (2007)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1993Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples302 cited
  • 2000Tricksters and trancers: Bushman religion and society297 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1990Images of Power: Understanding Bushman Rock Art193 cited
  • 1990Through the Veil: San Rock Paintings and the Rock Face173 cited
  • 2000Nyae Nyae !Kung: beliefs and rites140 cited
  • 1994Reading art, writing history: Rock art and social change in Southern Africa124 cited
  • 1984The Rock Art of Southern Africa102 cited
  • 1986The Nharo bushmen of Botswana : tradition and change78 cited
  • 1995Modelling the Production and Consumption of Rock Art77 cited
  • 1978Ndedema. A documentation of the rock paintings of the Ndedema Gorge66 cited
  • 1981The Thin Red Line: Southern San Notions and Rock Paintings of Supernatural Potency65 cited
  • 1988Revelations of religious reality: The individual in San rock art

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63 cited
  • 1972Art of the Rocks of Southern Africa54 cited
  • Cited by

    • 2001'Big Pictures': Insights into Southern African San Rock Paintings of Ostriches38 cited
    • 2002The Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa: An Introduction to Problems of Southern African Rock-Art Regions29 cited
    • 2015Allusions to Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa27 cited
    • 2010The imagistic web of San myth, art and landscape23 cited
    • 2005'The men with rhebok's heads; they tame elands and snakes': Incorporating the rhebok antelope in the understanding of Southern African rock art22 cited
    • 2019Interest in geological and palaeontological curiosities by southern African non-western societies: A review and perspectives for future study21 cited
    • 2017Community involvement and heritage management in rural South Africa20 cited
    • 2016The Jackal and the Lion: Aspects of Khoisan Folklore20 cited
    • 2004Cultured Representation17 cited
    • 2013The Materiality of Rock Art and Quartz: a Case Study from Mpumalanga Province, South Africa16 cited
    • 2019Image-Makers15 cited
    • 2005A new iconographic understanding of formlings, a pervasive motif in Zimbabwean rock art14 cited
    • 2023Becoming elands’ people: Neoglacial subsistence and spiritual transformations in the Maloti-Drakensberg Mountains, southern Africa13 cited
    • 2005From girls to women: female imagery in the San rock paintings of the Central Limpopo Basin, southern Africa13 cited
    • 2021The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa12 cited
    • 2020An Introduction to the Stone Age Archaeology of the Polihali Dam Area, Mokhotlong District, Lesotho10 cited