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How is the artist role affected when artists are participating in projects in work life?
14 references·4 citing·29 second hop
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this work references cited by second hop

References

  • 2012Playing and Reality6,619 cited
  • 2004Interaction Ritual Chains4,713 cited
  • 2012The Managed Heart3,197 cited
  • 2009Creativity in context2,435 cited
  • 2013Artificial hells: participatory art and the politics of spectatorship1,835 cited
  • 2011Relational aesthetics1,517 cited
  • 2004Antagonism and Relational Aesthetics1,037 cited
  • 2003Commercialization of Intimate Life923 cited
  • 2007Group genius: the creative power of collaboration909 cited
  • 1998Motivation and Creativity516 cited
  • 2005Creativity402 cited
  • 2009The disappearing arts: creativity and innovation after the creative industries119 cited
  • 2008Nordic cultural policies: A critical view113 cited
  • 2013Beyond the borders: The use of art participation for the promotion of health and well-being in Britain and Denmark27 cited

Cited by

  • 2021Art Practice as Policy Practice: Framing the Work of Artists Embedded in Government10 cited
  • 2020The Role of the Arts in the Digital Transformation7 cited

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  • 2021Taiteilija-ammattilaiset kulttuurihyvinvoinnin toimijoina ikääntyneiden hoivayhteisöissä: kuvaileva kirjallisuuskatsaus5 cited
  • 2022Artists, government and cross-sector collaboration: A guiding framework of US-based artists in residence in government programs4 cited