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Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts
3 references·5 citing·28 second hop
Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts (2008)Analyzing Atonal Music: Pitch-Class Set T…Atonal prolongational structure (1989)Atonal prolongational structu…A Theory of Set-Complexes for Music (1964)A Theory of Set-Complexes for…Problems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…Harmonic Perception and Voice Leading Spaces of Set Classes Related by Unordered Interval Classes (2019)Harmonic Perception and Voice…The Evolution of Harmonic Progression Analysis: Ultimate CAT (2018)The Evolution of Harmonic Pro…Extreme Chord Substitutions: a Qualitative Introduction to CAT (Cataldo Advanced Transformations) (2018)Extreme Chord Substitutions: …Algebra Musicale: dai Vettori Scala al Tensore Modale - Music Algebra: from the Scale Vectors to the Modal Tensor (2018)Algebra Musicale: dai Vettori…A Simplified Introduction to Music Algebra: from the Scale Vectors to the Modal Tensor (2018)A Simplified Introduction to …Perspectives of New Music (1963)Explaining Music (1973)The Structure of Atonal Music (1973)Syncopation as Motive in Schoenberg's Op. 19, Nos 2, 3 and 4 (1992)Schoenberg on Ornamentation and Structural Levels (1994)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)Re: Intervallic Relations between Two Collections of Notes (1959)The Source Set and Its Aggregate Formations (1961)Serial Composition and Atonality (1962)Some Combinational Resources of Equal-Tempered Systems (1967)On Allen Forte's Theory of Chords (1974)The Structure of All-Interval Series (1974)Theories and practice of harmonic analysis (1992)Jazz e Sostituzioni Armoniche: Verso un Nuovo Formalismo - Jazz and Harmonic Substitutions: Towards a New Formalism (2018)La Scala Dominante Be-Bop: Definizione ed Utilizzo - The Be-Bop Dominant Scale: Definition and Usage (2018)The Be-Bop Major Scale: Definition and Usage - La Scala Maggiore Be-Bop: Definizione ed Utilizzo (2018)Towards a Music Algebra: Fundamental Harmonic Substitutions in Jazz (2018)Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts (2008)The Art of Improvising: The Be-Bop Language and the Minor Seventh Chords (2017)Breve Introduzione all’Improvvisazione Be-Bop [Short Introduction to Be-Bop Improvising] (2018)Music Algebra: Harmonic Progressions Analysis and CAT (Cataldo Advanced Transformations) (2018)Re: The Intervallic Content of a Collection of Notes, Intervallic Relations between a Collection of Notes and Its Complement: An Application to Schoenberg's Hexachordal Pieces (1960)The Structure of Atonal Music (1974)Introduction to Post-Tonal Theory (1991)A geometry of music: harmony and counterpoint in the extended common practice (2012)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)Stravinsky and the Octatonic: A Reconsideration (2002)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)
this work references cited by second hop

References

  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1989Atonal prolongational structure113 cited
  • 1964A Theory of Set-Complexes for Music61 cited

Cited by

  • 2018Algebra Musicale: dai Vettori Scala al Tensore Modale - Music Algebra: from the Scale Vectors to the Modal Tensor11 cited
  • 2018A Simplified Introduction to Music Algebra: from the Scale Vectors to the Modal Tensor11 cited
  • 2018Extreme Chord Substitutions: a Qualitative Introduction to CAT (Cataldo Advanced Transformations)8 cited
  • 2018The Evolution of Harmonic Progression Analysis: Ultimate CAT6 cited
  • 2019Harmonic Perception and Voice Leading Spaces of Set Classes Related by Unordered Interval Classes4 cited

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