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Sharing Music: Social and Communal Aspects of Concert-Going
16 references·3 citing·43 second hop
Sharing Music: Social and Communal Aspects of Concert-Going (2016)Sharing Music: Social and Communal Aspect…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Why Music Matters (2013)Why Music MattersFor a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn (2010)For a Relational Musicology: …Ways of listening: an ecological approach to the perception of musical meaning (2006)Ways of listening: an ecologi…What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)What Makes an Audience? Inves…No Dead Air! The iPod and the Culture of Mobile Listening (2005)No Dead Air! The iPod and the…Television, Audiences and Cultural Studies (2003)Television, Audiences and Cul…Who needs classical music?: cultural choice and musical value (2002)Who needs classical music?: c…Musicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…Music in Everyday Life (2000)Music in Everyday LifeMusicking: The Meanings of Performing and Listening (1999)Musicking: The Meanings of Pe…Communities of practice learning, meaning, and identity (1999)Communities of practice learn…LIVING ROOM WARS (1996)LIVING ROOM WARSCulture and Communication: Towards an Ethnographic Critique of Media Consumption in the Transnational Media System (1990)Culture and Communication: To…Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…Cultural Entrepreneurship in Nineteenth-Century Boston, Part II: The Classification and Framing of American Art (1982)Cultural Entrepreneurship in …The Behavioural Economics of Music: Systematic review and future directions (2022)The Behavioural Economics of …New Possibilities in Cultural Consumption. The Effect of the Global Pandemic on Listening to Music (2021)New Possibilities in Cultural…Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK (2017)Risk and Reward in Classical …Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Science and the Modern World (2000)Perspectival Anthropology and the Method of Controlled Equivocation (2004)Actor-Networks in Music History: Clarifications and Critiques (2014)Music and Ethical Responsibility (2014)Expert Listening beyond the Limits of Hearing: Music and Deafness (2017)The Structure of Scientific Revolutions (1963)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The Interpretation of Cultures (2017)Non-places: Introduction to an anthropology of supermodernity (1996)Bowling alone: the collapse and revival of American community (2000)Why do we listen to music? A uses and gratifications analysis (2010)Passing Propinquities in the Multicultural City: The Everyday Encounters of Bus Passengering (2011)Mobile Ad Effectiveness: Hyper-Contextual Targeting with Crowdedness (2015)Content Analysis in Communication Research. (1952)How To Do Things With Words (1975)Reproduction in Education, Society and Culture (1979)Narrating Crisis: The Discursive Construction of the `Winter of Discontent' (1996)Culture in Interaction (2003)New Audiences, New Textualities (2003)Space-form and the acousmatic image (2007)What Is Sociological about Music? (2010)Decomposed: a political ecology of music (2015)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Researching risk and the media (1999)A critique of cultural education in nursing (2001)Do you identify as a gamer? Gender, race, sexuality, and gamer identity (2011)Expansive Learning at Work: Toward an activity theoretical reconceptualization (2001)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Problem-Based Learning: What and How Do Students Learn? (2004)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)
this work references cited by second hop

References

  • 1999Communities of practice learning, meaning, and identity28,353 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2000Music in Everyday Life2,710 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 2003Television, Audiences and Cultural Studies1,244 cited
  • 1996LIVING ROOM WARS1,012 cited
  • 2006Ways of listening: an ecological approach to the perception of musical meaning629 cited
  • 2005No Dead Air! The iPod and the Culture of Mobile Listening384 cited
  • 2010For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn287 cited
  • 1999Musicking: The Meanings of Performing and Listening270 cited
  • 1990Culture and Communication: Towards an Ethnographic Critique of Media Consumption in the Transnational Media System215 cited
  • 1982Cultural Entrepreneurship in Nineteenth-Century Boston, Part II: The Classification and Framing of American Art165 cited
  • 2013Why Music Matters155 cited
  • 2005What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival151 cited

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  • 2002Who needs classical music?: cultural choice and musical value146 cited
  • Cited by

    • 2022The Behavioural Economics of Music: Systematic review and future directions10 cited
    • 2021New Possibilities in Cultural Consumption. The Effect of the Global Pandemic on Listening to Music5 cited
    • 2017Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK3 cited