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Artists, Patrons, and Trust in Seventeenth-Century Naples: The Case of the Certosa di San Martino
16 references·0 citing·39 second hop
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this work references cited by second hop

References

  • 1988Trust as a commodity1,378 cited
  • 1991Spanish Imperialism and the Political Imagination250 cited
  • 2006History Lessons: The Birth of Impersonal Exchange: The Community Responsibility System and Impartial Justice148 cited
  • 1972New York, the Metropolitan Museum of Art107 cited
  • 1975Patrons and Painters: A Study in the Relations Between Italian Art and Society in the Age of the Baroque96 cited
  • 1963The Organization of Trade89 cited
  • 1968La rivolta antispagnola a Napoli: le origini (1585-1647)78 cited
  • 1990Roman baroque sculpture: the industry of art47 cited
  • 2007The Case for the Enlightenment: Scotland and Naples 1680–176047 cited
  • 1997The Altars and Altarpieces of New St. Peter's: Outfitting the Basilica, 1621–166643 cited
  • 1991Images of nepotism: the painted ceilings of Palazzo Barberini31 cited
  • 2011Painting for profit: the economic lives of seventeenth-century Italian painters26 cited
  • 1821Istoria civile del regno di Napoli24 cited
  • 2009Painting as business in early seventeenth-century Rome20 cited
  • 1992"Roman Baroque Sculpture: the Industry of Art", Jannifer Montagu, New Haven 1989 : [recenzja] / Zygmunt Waźbiński.5 cited

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  • 2003Fashioning the Certosa di San Martino : ornament, illusion, and artistic collaboration in Early-Modern Naples2 cited
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