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‘That will allow me to be my own woman’: Margaret Anglin, Modernity and Transnational Stages, 1890s–1940s
11 references·0 citing·26 second hop
‘That will allow me to be my own woman’: Margaret Anglin, Modernity and Transnational Stages, 1890s–1940s (2010)‘That will allow me to be my own woman’: …Performing Shakespeare in the age of empire (2002)Performing Shakespeare in the…To Try Her Fortune In London (2001)To Try Her Fortune In LondonThe Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America (2000)The Disavowal of Ethnicity: L…Female Spectacle (2000)Female SpectacleZiegfeld Girl (1999)Ziegfeld GirlThe Great Arizona Orphan Abduction (1999)The Great Arizona Orphan Abdu…Later stages : essays in Ontario theatre from the First World War to the 1970s (1996)Later stages : essays in Onta…Going Out: The Rise and Fall of Public Amusements. (1995)Going Out: The Rise and Fall …Going Out: The Rise and Fall of Public Amusements. (1995)Going Out: The Rise and Fall …Early Stages: Theatre in Ontario 1800-1914 (1992)Early Stages: Theatre in Onta…Imperialism and Popular Culture (1987)Imperialism and Popular Cultu…William Shakespeare: The model Victorian Protestant (2009)Theater, Exhibition, and Spectacle in the Nineteenth Century (2014)A Short History of Shakespeare in Performance (2021)The Rise of a Jazz Art World (2002)Authenticity and place attachment of major visitor attractions (2015)Conservative Parties and the Birth of Democracy (2017)Theorizing Yes: An Essay on Feminism, Law, and Desire (2001)‘The Ego Ideal of the Good Camper’ and the Nature of Summer Camp (2006)The War on Las Pelonas (2006)The Modern Girl Around the World (2008)The photoplay or the pickaxe: extras, gender, and labour in early Hollywood (2011)Photographing Objects as Queer Archival Practice (2014)De Meyer atVogue: Commercializing Queer Affect in First World War-era Fashion Photography (2009)Britishness and Otherness: An Argument (1992)Representing Whiteness in the Black Imagination (1997)Affirming authenticity (1999)“Just Like the Qing Empire” (2007)The gloomy city: Rethinking the relationship between light and dark (2013)Introduction: Geographies of the urban night (2014)Home, Colonial and Foreign: Europe, Empire and the History of Migration in 20th‐century Britain (2009)‘IT WAS A HOT CLIMATE AND IT WAS A HOT TIME’ (2010)The Cambridge History of Australia (2013)Comic art andbande dessinée: from the funnies to graphic novels (2009)“A Sweet Canadian Girl”: English-Canadian Actresses’ Transatlantic and Transnational Careers through the Lenses of Canadian Magazines, 1890s–1940s (2014)Toronto Society's Response to Celebrity Performers, 1887–1914 (2008)“I’se in Town, Honey”: Reading Aunt Jemima Advertising in Canadian Print Media, 1919 to 1962 (2015)
this work references cited by second hop

References

  • 1987Imperialism and Popular Culture448 cited
  • 1995Going Out: The Rise and Fall of Public Amusements.237 cited
  • 2000Female Spectacle187 cited
  • 1995Going Out: The Rise and Fall of Public Amusements.175 cited
  • 2001To Try Her Fortune In London133 cited
  • 1999Ziegfeld Girl130 cited
  • 1999The Great Arizona Orphan Abduction117 cited
  • 2002Performing Shakespeare in the age of empire72 cited
  • 1996Later stages : essays in Ontario theatre from the First World War to the 1970s43 cited
  • 1992Early Stages: Theatre in Ontario 1800-191412 cited
  • 2000The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America11 cited

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