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The Gendered Geometry of War in Kathryn Bigelow’s The Hurt Locker (2008)
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The Gendered Geometry of War in Kathryn Bigelow’s The Hurt Locker (2008) (2014)The Gendered Geometry of War in Kathryn B…Embodiment in the war film: Paradise Now and The Hurt Locker (2012)Embodiment in the war film: P…The Hurt Locker: Cinematic Addiction, “Critique,” And the War on Terror (2011)The Hurt Locker: Cinematic Ad…Screening Sex (2008)Screening SexHistory Films, Women, and Freud's Uncanny (2004)History Films, Women, and Fre…The Geometry of Gendered Conflict in Popular Film: 1986–2000 (2002)The Geometry of Gendered Conf…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…The skin of the film: intercultural cinema, embodiment, and the senses (2000)The skin of the film: intercu…The Skin of the Film (2000)The Skin of the FilmThe image in dispute : art and cinema in the age of photography (1997)The image in dispute : art an…Spectacular bodies: gender, genre and the action cinema (1995)Spectacular bodies: gender, g…Between Men: English Literature and Male Homosocial Desire. (1985)Between Men: English Literatu…Between Men (1985)Between Men2. The Interpretation of Dreams (1913)2. The Interpretation of Drea…Strategy: The Logic of War and Peace (1987)War and Cinema: The Logistics of Perception (1991)Multitude: war and democracy in the age of empire (2005)Breathing Bodies (2016)Disability and Memory in Posthuman(ist) Narrative: Reading Prosthesis and Amnesia in Hollywood’s Re-membering of the ‘War on Terror’ (2017)Genre, Authorship and Contemporary Women Filmmakers (2018)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)A Networked Self (2010)Body, Image and Affect in Consumer Culture (2010)On Touching—the Inhuman That Therefore I Am (2012)Archaeology and the Senses (2013)Behavioral/cognitive conceptualizations of post-traumatic stress disorder (1989)Conservation of resources: A new attempt at conceptualizing stress. (1989)The Psychology of Life Stories (2001)Women with Mustaches and Men without Beards (2005)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Queer Globalizations (2020)New Media: A Critical Introduction (2003)Body Projects and the Regulation of Normative Masculinity (2005)Transformations: Thinking Through Feminism (2005)Reality TV in the digital era: a paradox in visual culture? (1999)Public Identity and Collective Memory in U.S. Iconic Photography: The Image of "Accidental Napalm" (2003)The Multiplanar Image (2006)The Paradigm Shift: Pornography Research, Sexualization and Extreme Images (2011)Anti/pro/critical porn studies (2014)Pornographication: exploring the ‘porn’ in ‘inspiration porn’ (2023)Culture, Globalization, Mediation (2004)Multimodality, multisensoriality and ethnographic knowing: social semiotics and the phenomenology of perception (2011)Sexual Dissidence (1991)Nationalisms and Sexualities (1993)Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You (2003)
this work references cited by second hop

References

  • 19132. The Interpretation of Dreams6,972 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1985Between Men3,308 cited
  • 1985Between Men: English Literature and Male Homosocial Desire.3,019 cited
  • 2000The skin of the film: intercultural cinema, embodiment, and the senses1,527 cited
  • 2000The Skin of the Film1,317 cited
  • 1995Spectacular bodies: gender, genre and the action cinema478 cited
  • 2008Screening Sex208 cited
  • 1997The image in dispute : art and cinema in the age of photography121 cited
  • 2012Embodiment in the war film: Paradise Now and The Hurt Locker20 cited
  • 2002The Geometry of Gendered Conflict in Popular Film: 1986–200011 cited
  • 2004History Films, Women, and Freud's Uncanny10 cited
  • 2011The Hurt Locker: Cinematic Addiction, “Critique,” And the War on Terror6 cited

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