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'The men with rhebok's heads; they tame elands and snakes': Incorporating the rhebok antelope in the understanding of Southern African rock art
16 references·14 citing·32 second hop
'The men with rhebok's heads; they tame elands and snakes': Incorporating the rhebok antelope in the understanding of Southern African rock art (2005)'The men with rhebok's heads; they tame e…Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)Southern African San Rock Pai…Therianthropes in San Rock Art (2002)Therianthropes in San Rock ArtImages of Power: Understanding San Rock Art (1999)Images of Power: Understandin…Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Quanto?: The Issue of 'Many M…The Myth of Ritual Origins? Ethnography, Mythology and Interpretation of San Rock Art (1997)The Myth of Ritual Origins? E…Modelling the Production and Consumption of Rock Art (1995)Modelling the Production and …Through the Veil: San Rock Paintings and the Rock Face (1990)Through the Veil: San Rock Pa…Images of Power: Understanding Bushman Rock Art (1990)Images of Power: Understandin…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…Ethnography and Iconography: Aspects of Southern San Thought and Art (1980)Ethnography and Iconography: …People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…Ndedema. A documentation of the rock paintings of the Ndedema Gorge (1978)Ndedema. A documentation of t…Superpositioning in a Sample of Rock-Paintings from the Barkly East District (1974)Superpositioning in a Sample …Late Stone Age Exploitation Patterns in Southern Natal (1970)Late Stone Age Exploitation P…The Medicine Dance of the ! Kung Bushmen (1969)The Medicine Dance of the ! 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this work references cited by second hop

References

  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1954Travels in the Interior of Southern Africa260 cited
  • 1990Images of Power: Understanding Bushman Rock Art193 cited
  • 1969The Medicine Dance of the ! Kung Bushmen178 cited
  • 1990Through the Veil: San Rock Paintings and the Rock Face173 cited
  • 1980Ethnography and Iconography: Aspects of Southern San Thought and Art142 cited
  • 1997The Myth of Ritual Origins? Ethnography, Mythology and Interpretation of San Rock Art98 cited
  • 1998Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research90 cited
  • 1970Late Stone Age Exploitation Patterns in Southern Natal86 cited
  • 1999Images of Power: Understanding San Rock Art85 cited
  • 1995Modelling the Production and Consumption of Rock Art77 cited
  • 1974Superpositioning in a Sample of Rock-Paintings from the Barkly East District73 cited
  • 2004Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images67 cited
  • 1978Ndedema. A documentation of the rock paintings of the Ndedema Gorge

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66 cited
  • 2002Therianthropes in San Rock Art59 cited
  • Cited by

    • 2014Shades of the Rainbow Serpent? A KhoeSan Animal between Myth and Landscape in Southern Africa—Ethnographic Contextualisations of Rock Art Representations22 cited
    • 2015San rock art: evidence and argument20 cited
    • 2021Art and Influence, Presence and Navigation in Southern African Forager Landscapes15 cited
    • 2019High and mighty: a San expression of excess potency control in the high-altitude hunting grounds of southern Africa14 cited
    • 2012Rock Art and Shamanism13 cited
    • 2021The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa12 cited
    • 2011The Earliest Rock Paintings of the Central Sahara: Approaching Interpretation11 cited
    • 2018Frogs or people: Dorothea Bleek and a genealogy of ideas in rock art research8 cited
    • 2017‘People will no longer be people but will have markings and be animals’ : investigating connections between diet, myth, ritual and rock art in southern African archaeology7 cited
    • 2007|Kaggen's code: paintings of moths in southern African hunter-gatherer rock art5 cited
    • 2017Qing and the Animals of the Drakensberg-Maloti3 cited
    • 2018Tusk and transformation in southern African San rock art: an iconographic analysis of WAR23 cited
    • 2013Conflict on the Frontier: San Rock Art, Spirituality, and Historical Narrative in the Free State Province, South Africa2 cited
    • 2008An historical account of a rite depicted in a painting from the cave at Melikane, Lesotho1 cited