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Access, Place and Australian Live Music
13 references·3 citing·48 second hop
Access, Place and Australian Live Music (2016)Access, Place and Australian Live MusicDistinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents (2014)Rock Clubs and Gentrification…Independent creative subcultures and why they matter (2013)Independent creative subcultu…Aesthetic labour in creative industries: the case of independent musicians in T oronto, C anada (2013)Aesthetic labour in creative …Music Scenes: Local, Translocal, and Virtual (2011)Music Scenes: Local, Transloc…Governmental as anything (2011)Governmental as anythingAUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN (2006)AUDIENCE DEVELOPMENT AND SOCI…From cultural to creative industries (2005)From cultural to creative ind…URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE (2004)URBAN REDEVELOPMENT, LIVE MUS…Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…New media, the new economy and new spaces (2000)New media, the new economy an…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…The Production and Consumption of the Arts: A View of Cultural Economics (1994)The Production and Consumptio…Modeling the local geography of country music concerts in U.S. urban areas: insights from big data analysis of live music events (2023)Modeling the local geography …Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands (2021)Valuing value in urban live m…Mapping the ‘beat’: the urban morphologies of Melbourne’s evolving live music clusters (2020)Mapping the ‘beat’: the urban…Outline of a Theory of Practice. (1980)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Bowling Alone: America's Declining Social Capital (1995)Authentic Identities (2006)Soundscapes: Toward a Sounded Anthropology (2010)I Was a Teenage Vegan: Motivation and Maintenance of Lifestyle Movements (2014)The Nature of the Firm (1937)The Visible Hand: The Managerial Revolution in American Business (1978)The Theory of Economic Development (2003)Creative cities: the cultural industries and the creative class (2008)In the Social Factory? (2008)Social network markets: a new definition of the creative industries (2008)The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)A Theory of Rational Addiction (1988)Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry (2003)Four models of the creative industries (2008)The Theory of the Leisure Class (2009)TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR? (2010)The Cultural Economy of Cities (1997)Mosquitoes in the mix: How transferable is creative city thinking? (2009)Spaces and Networks of Musical Creativity in the City (2009)Night lives: Heterotopia, youth transitions and cultural infrastructure in the urban night (2013)The Joyless Economy (1992)Measuring the intrinsic benefits of arts attendance (2010)Cultural participation in Europe: shared problem or shared problematisation? (2015)Cultural democracy and cultural policy (2018)Museums and the Interpretation of Visual Culture (2020)Distinction: A Social Critique of the Judgement of Taste. (1985)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)City of the Spectacle: White Night Melbourne and the politics of public space (2015)Reconfiguring Familiar Worlds with Light Projection: The Gertrude Street Projection Festival, 2017 (2018)Resisting Redevelopment (2020)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Economic Action and Social Structure: The Problem of Embeddedness (1985)The Economic Institutions of Capitalism (1986)The Economic Institutions of Capitalism (1987)Cool, Creative and Egalitarian? Exploring Gender in Project-Based New Media Work in Euro (2002)Creative Cities, Creative Spaces and Urban Policy (2009)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 2005From cultural to creative industries833 cited
  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 2000New media, the new economy and new spaces324 cited
  • 2011Music Scenes: Local, Translocal, and Virtual229 cited
  • 2006AUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN113 cited
  • 2004URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE85 cited
  • 2013Independent creative subcultures and why they matter78 cited
  • 2013Aesthetic labour in creative industries: the case of independent musicians in T oronto, C anada62 cited
  • 2011Governmental as anything18 cited
  • 2014Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents14 cited

Cited by

  • 2021Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands13 cited
  • 2023Modeling the local geography of country music concerts in U.S. urban areas: insights from big data analysis of live music events

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4 cited
  • 2020Mapping the ‘beat’: the urban morphologies of Melbourne’s evolving live music clusters4 cited