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If the history of thought is a history of murder, as Max Horkheimer and Theodor Adorno claim in their Dialectic of Enlightenment (117), why couldn’t the history of murder become a history of thought? We can link the literary treatment of murder, which seeks to unveil it, not just to express it, with the narrative form called “thriller.” The thriller constitutes the dominant and perhaps even normative narrative structure of our time. A thriller is, in every case, an ethical aestheticization of politics. It renders the political in a narrative form, and it does so from a primarily ethical stance. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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Stored only when both papers are in the corpus — 17 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.