SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Samāj-gāyan Tradition: Transmitting a Musico-Religious System in North India
1 references·5 citing·8 second hop
The Samāj-gāyan Tradition: Transmitting a Musico-Religious System in North India (2008)The Samāj-gāyan Tradition: Transmitting a…Chant the Names of God: Musical Culture in Bhojpuri-Speaking India (1993)Chant the Names of God: Music…Thought and Play in Musical Rhythm (2019)Thought and Play in Musical R…Temporal and Density Flow in Javanese Gamelan (2019)Temporal and Density Flow in …Modern Drum Solos Over Ostinatos (2019)Modern Drum Solos Over Ostina…Layers and Elasticity in the Rhythm of Noh Songs (2019)Layers and Elasticity in the …An Approach to Musical Rhythm in Agbadza (2019)An Approach to Musical Rhythm…A Thousand Plateaus: Capitalism and Schizophrenia (1989)Flow: The Psychology of Optimal Experience (1991)Being alive essays on movement, knowledge and description (2011)Swinglines (2024)What the Merchant-Guru Sold: Social and Literary Types in Hindi Devotional Verse (1992)Singing from Separation: Women's Voices in and about Kangra Folksongs (1997)His Master's Voice? ExploringQawwaliand ‘Gramophone Culture’ in South Asia (1999)Tonality as a Colonizing Force in Africa (2023)
this work references cited by second hop

References

  • 1993Chant the Names of God: Musical Culture in Bhojpuri-Speaking India26 cited

Cited by

  • 2019Layers and Elasticity in the Rhythm of Noh Songs19 cited
  • 2019An Approach to Musical Rhythm in Agbadza14 cited
  • 2019Thought and Play in Musical Rhythm3 cited
  • 2019Modern Drum Solos Over Ostinatos2 cited
  • 2019Temporal and Density Flow in Javanese Gamelan2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work