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Composition/structure and lacquering craft analysis of Wenzhou Song dynasty lacquerware
11 references·9 citing·32 second hop
Composition/structure and lacquering craft analysis of Wenzhou Song dynasty lacquerware (2016)Composition/structure and lacquering craf…Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware (2016)Study of historical Chinese l…Analytical chemistry in the field of cultural heritage (2015)Analytical chemistry in the f…Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Application of Pyrolysis Gas …Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry (2011)Molecular criteria for discri…Analytical characterization of lacquer objects excavated from a Chu tomb in China (2011)Analytical characterization o…Applied analysis and identification of ancient lacquer based on pyrolysis‐gas chromatography/mass spectrometry (2010)Applied analysis and identifi…Determination of the type of lacquer on East Asian lacquer ware (2009)Determination of the type of …The chemistry of East Asian lacquer: A review of the scientific literature (2007)The chemistry of East Asian l…Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry (2006)Applied analysis of lacquer f…Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts (2004)Raman spectroscopic analysis …Caput mortuum: spectroscopic and structural studies of an ancient pigment (2002)Caput mortuum: spectroscopic …Shedding new light on lacquering crafts from the Northern Wei Dynasty (386–534 CE) by revisiting the lacquer screen from Sima Jinlong's Tomb (2025)Shedding new light on lacquer…Analysis of Lacquer from the Zeng Cemetery (1046–771 BCE) at Guojiamiao (2024)Analysis of Lacquer from the …Comparative Study on UV Degradation of Black Chinese Lacquers with Different Additives (2023)Comparative Study on UV Degra…Comprehensive Analysis of the Surface Decoration Layer of Buddha Statues from Dazu Rock Carvings in China (2022)Comprehensive Analysis of the…Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China (2021)Systematic study of the mater…Study of colored lacquerwares from Zenghou Yi Tomb in Early Warring States (2021)Study of colored lacquerwares…Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)Micro-Raman, XRD and THM-Py-G…Identification of minerals and mineral pigments in lacquer by the comprehensive comparative analysis of spectroscopy information (2021)Identification of minerals an…Scientific investigation of the lacquered wooden coffin of Xiang Fei excavated from Eastern Royal Tombs of the Qing Dynasty (2017)Scientific investigation of t…Characterization of Rhus vernicifera and Rhus succedanea lacquer films and their pyrolysis mechanisms studied using two-stage pyrolysis-gas chromatography/mass spectrometry (1996)Characterization and identification of urushi using in situ pyrolysis/silylation–gas chromatography–mass spectrometry (2015)Comparative study of the materials and lacquering techniques of the lacquer objects from Warring States Period China (2019)Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer (2019)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects (2016)Characterization of Natural Resin Films and Identification of Ancient Coating (2003)Analysis on the Composition/structure and Lacquering Techniques of the Coffin of Emperor Qianlong Excavated from the Eastern Imperial Tombs (2017)Analytical pyrolysis applied to the characterisation and identification of Asian lacquers in cultural heritage samples – A review (2021)Ancient Peoples and Places (1966)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)An easily transferable protocol for in-situ quasi-non-invasive analysis of protein binders in works of art (2020)Deterioration of surface structure of lacquer films due to ultraviolet irradiation (2006)Lacquerware Pigment Identification with Fixed and Mobile Raman Microspectrometers: A Potential Technique to Differentiate Original/Fake Artworks (2013)Red Ochre and Human Evolution: A Case for Discussion [and Comments and Reply] (1980)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)RED PALAEOLITHIC PIGMENTS: NATURAL HEMATITE OR HEATED GOETHITE?* (1999)Identification of anthraquinone coloring matters in natural red dyestuffs by high performance liquid chromatography with ultraviolet and electrospray mass spectrometric detection (2003)Micro-Raman and X-ray fluorescence spectroscopy data fusion for the classification of ochre pigments (2008)One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley, Northern Australia (2013)Ancient Egyptian materials and technology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Micro‐Raman spectroscopic study of pottery fragments from the Lapatsa tomb, Cyprus, ca 2500 BC (2005)On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles (2006)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Infrared Spectroscopy in Conservation Science (2000)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Characterizing the pigments and paints of prehistoric artists (2021)
this work references cited by second hop

References

  • 2015Analytical chemistry in the field of cultural heritage158 cited
  • 2011Analytical characterization of lacquer objects excavated from a Chu tomb in China92 cited
  • 2006Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry79 cited
  • 2014Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review74 cited
  • 2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
  • 2011Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry66 cited
  • 2002Caput mortuum: spectroscopic and structural studies of an ancient pigment56 cited
  • 2016Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware53 cited
  • 2009Determination of the type of lacquer on East Asian lacquer ware53 cited
  • 2010Applied analysis and identification of ancient lacquer based on pyrolysis‐gas chromatography/mass spectrometry42 cited
  • 2007The chemistry of East Asian lacquer: A review of the scientific literature37 cited

Cited by

  • 2017Scientific investigation of the lacquered wooden coffin of Xiang Fei excavated from Eastern Royal Tombs of the Qing Dynasty25 cited
  • 2021Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China

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25 cited
  • 2021Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China23 cited
  • 2025Shedding new light on lacquering crafts from the Northern Wei Dynasty (386–534 CE) by revisiting the lacquer screen from Sima Jinlong's Tomb20 cited
  • 2021Study of colored lacquerwares from Zenghou Yi Tomb in Early Warring States15 cited
  • 2023Comparative Study on UV Degradation of Black Chinese Lacquers with Different Additives15 cited
  • 2021Identification of minerals and mineral pigments in lacquer by the comprehensive comparative analysis of spectroscopy information14 cited
  • 2024Analysis of Lacquer from the Zeng Cemetery (1046–771 BCE) at Guojiamiao11 cited
  • 2022Comprehensive Analysis of the Surface Decoration Layer of Buddha Statues from Dazu Rock Carvings in China8 cited