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Action Is Eloquence: Shakespeare's Language of Gesture
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Action Is Eloquence: Shakespeare's Language of Gesture (1984)Action Is Eloquence: Shakespeare's Langua…Being-in-Light at the Early Modern and Reconstructed Theatres (2015)Being-in-Light at the Early M…"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory (2012)"Killing, Hewing, Stabbing, D…Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)Shakespeare and the power of …Service and dependency in Shakespeare's plays (2006)Service and dependency in Sha…Gender, Rhetoric and Performance in The White Devil (2001)Gender, Rhetoric and Performa…Settling House in Middleton's Women Beware Women (1995)Settling House in Middleton's…The Noh Theater: Mirror, Mask, and Madness (1994)The Noh Theater: Mirror, Mask…Calderón and Shakespeare: The Subject of Henry VIII (1987)Calderón and Shakespeare: The…‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata (1987)‘A Kind of Woman’: The Elizab…The Noh Theatre: Principles and Perspectives (1984)The Renaissance Hamlet (1984)Phenomenology of Perception (1982)Of Other Spaces (1986)5. The Practice of Everyday Life (2000)Bodies and selves in early modern England: physiology and inwardness in Spenser, Shakespeare, Herbert, and Milton (2000)Performativity and Performance (2013)The Body Emblazoned (2013)Lineages of the Absolutist State (1976)Reconstructing Individualism: Autonomy, Individuality, and the Self in Western Thought (1986)The Subject and Power (1998)The Complete Works (1943)Still Harping on Daughters: Women and Drama in the Age of Shakespeare (1984)The Shakespearean Stage 1574–1642 (2009)The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)Crossdressing, The Theatre, and Gender Struggle in Early Modern England (1988)Gender Trouble: Feminism and the Subversion of Identity (1991)Gendering Pathos on the Early Modern Stage: (2015):Women and Property in Early Modern England (1995)The Riverside Shakespeare (1999)The World We Have Lost (2002)The Presentation of Self in Everyday Life. (1956)The Dialogic Imagination: Four Essays (1981)The Mediation of Poesie: Ophelia’s Orphic Song (2012)Performing Disability and Theorizing Deformity (2013)Shakespeare Performance Studies (2017)Slavery and Social Death. A Comparative Study (1983)Between Men: English Literature and Male Homosocial Desire. (1985)3.2. MARXISM AND LITERATURE (2006)
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Cited by

  • 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre35 cited
  • 2006Service and dependency in Shakespeare's plays27 cited
  • 2015Being-in-Light at the Early Modern and Reconstructed Theatres15 cited
  • 1994The Noh Theater: Mirror, Mask, and Madness10 cited
  • 1987Calderón and Shakespeare: The Subject of Henry VIII6 cited
  • 1995Settling House in Middleton's Women Beware Women6 cited
  • 1987‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata6 cited
  • 2012"Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory5 cited
  • 2001Gender, Rhetoric and Performance in The White Devil3 cited

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