SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Lady in the Dark
0 references·16 citing·38 second hop
Lady in the Dark (2007)Lady in the Dark“Why Aren't They Talking?” (2022)“Why Aren't They Talking?”The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…Towards a History of Operatic Psychoanalysis (2010)Towards a History of Operatic…Why do they start to sing and dance all of a sudden? Examining the film musical (2001)Why do they start to sing and…The successors of Rodgers and Hammerstein from the 1940s to the 1960s (2001)The successors of Rodgers and…The megamusical: the creation, internationalisation and impact of a genre (2001)The megamusical: the creation…The coming of the musical play: Rodgers and Hammerstein (2001)The coming of the musical pla…The Cambridge Companion to the Musical (2001)The Cambridge Companion to th…Stephen Sondheim and the musical of the outsider (2001)Stephen Sondheim and the musi…Revisiting classic musicals: revivals, films, television and recordings (2001)Revisiting classic musicals: …New horizons: the musical at the dawn of the twenty-first century (2001)New horizons: the musical at …Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein (2001)Musical sophistication on Bro…Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess (2001)Images of African Americans: …Choreographers, directors and the fully integrated musical (2001)Choreographers, directors and…American musical theatre before the twentieth century (2001)American musical theatre befo…Black Musical Theatre: From Coontown to Dreamgirls (1990)Demons of Disorder: Early Blackface Minstrels and Their World (1998)“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)"Defying Gravity": Queer Conventions in the Musical Wicked (2008)To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America (2008)The Oxford Handbook of The American Musical (2011)The Interpretation of Dreams. (1913)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Jokes and their Relation to the Unconscious 1905 (2024)Action Music in American Pantomime and Melodrama, 1730-1913 (1984)American Musical Theatre: A Chronicle (1994)Broadway musicals: show by show (2012)The Filmed Musical (2012)The Television Musical (2012)Tin Pan Alley Songs on Stage and Screen before World War II (2012)The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock (1996)Irving Berlin's "Blue Skies": Ethnic Affiliations and Musical Transformations (2000)CAN'T HELP SINGIN': THE AMERICAN MUSICAL ON STAGE AND SCREEN (1987)Heavenly Bodies: Film Stars and Society (1987)Something for the boys: musical theater and gay culture (2000)Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical (2017)Singing and Dancing in Widescreen (2022)Broadway babies say goodnight: musicals then and now (1999)The Music of Black Americans: A History (1974)American Popular Stage Music, 1860-1880 (1981)Highbrow/Lowbrow (1988)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)МЮЗИКЛ ЯК ІНТОНАЦІЙНА ПРАКТИКА (2022)Love and theft: blackface minstrelsy and the American working class (1994)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)Ira Gershwin: the art of the lyricist (1996)Showtime: a history of the Broadway musical theater (2011)The Aesthetics of Singularity (2015)Offenbach Performance in Budapest, 1920–1956 (2022)West Side Story in Spain (2022)The Rebirth of Satire in Revivals of European Operettas (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2001Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess38 cited
  • 2001Why do they start to sing and dance all of a sudden? Examining the film musical38 cited
  • 2001The megamusical: the creation, internationalisation and impact of a genre37 cited
  • 2001American musical theatre before the twentieth century37 cited
  • 2001The successors of Rodgers and Hammerstein from the 1940s to the 1960s36 cited
  • 2001The Cambridge Companion to the Musical32 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2022“Why Aren't They Talking?”9 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2010Towards a History of Operatic Psychoanalysis6 cited
  • 2001New horizons: the musical at the dawn of the twenty-first century5 cited
  • 2001Stephen Sondheim and the musical of the outsider5 cited
  • 2001Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein5 cited
  • 2001Revisiting classic musicals: revivals, films, television and recordings4 cited
  • 2001Choreographers, directors and the fully integrated musical

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

4 cited
  • 2001The coming of the musical play: Rodgers and Hammerstein3 cited