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The Touch of Opera, or, Can a Feminist Forgive Anything for a Good Tune?
16 references·0 citing·31 second hop
The Touch of Opera, or, Can a Feminist Forgive Anything for a Good Tune? (2016)The Touch of Opera, or, Can a Feminist Fo…Listening to the SirensMusical Technologies of Queer Identity from Homer to Hedwig (2005)Listening to the SirensMusica…Straight Sex: The Politics of Pleasure (1996)Straight Sex: The Politics of…The apparitional lesbian: female homosexuality and modern culture (1994)The apparitional lesbian: fem…Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Vested Interests: Cross-Dress…The queen's throat: opera, homosexuality, and the mystery of desire (1993)The queen's throat: opera, ho…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Film Bodies: Gender, Genre, and Excess (1991)Film Bodies: Gender, Genre, a…Film Bodies: Gender, Genre, and Excess (1991)Film Bodies: Gender, Genre, a…Gender trouble: feminism and the subversion of identity (1990)Gender trouble: feminism and …The Tradition of Female Transvestism in Early Modern Europe (1989)The Tradition of Female Trans…Gynesis. Configurations of Woman and Modernity (1988)Gynesis. Configurations of Wo…Feminism and Theatre (1988)Feminism and TheatreAlice Doesn't: Feminism, Semiotics, Cinema (1985)Alice Doesn't: Feminism, Semi…Alice Doesn't: Feminism, Semiotics, Cinema (1984)Alice Doesn't: Feminism, Semi…Roland Barthes (1977)Roland Barthes1.7 THIS SEX WHICH IS NOT ONE (1977)1.7 THIS SEX WHICH IS NOT ONEVisual Pleasure and Narrative Cinema (1975)Home is where the heart is: studies in melodrama and the woman's film (1988)Hard core: power, pleasure, and "the frenzy of the visible" (1990)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)The Corporeal Image (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Henry James and Queer Modernity (2003)Language and Sexuality (2003)Phonation type as a stylistic variable: The use of falsetto in constructing a persona1 (2007)Sexual Dissidence (1991)Theorizing identity in language and sexuality research (2004)Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015)Civic ideology and the problem of difference: the politics of Aeschylean tragedy, once again (2000)Performance, Utopia, and the "Utopian Performative" (2001)The Cambridge Introduction to Theatre Studies (2008)The Post-Colonial Studies Reader (1996)Poststructural feminism in education: An overview (2000)Methodology of the Oppressed (2010)Must Identity Movements Self-Destruct? A Queer Dilemma (1995)Identity Construction: New Issues, New Directions (1997)Gender, Habitus and the Field (1999)Intersectionality as buzzword (2008)Multimodality and Literacy in School Classrooms (2008)(Re)Reading the Landscape (1988)Playing with History (2002)9. The Generation Of Postmemory (2008)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)Beautiful, Borrowed, and Bent: “Boys’ Love” as Girls’ Love inShôjo Manga (2006)Social Organizations and the Authoritarian State in China (2013)
this work references cited by second hop

References

  • 1990Gender trouble: feminism and the subversion of identity7,707 cited
  • 19771.7 THIS SEX WHICH IS NOT ONE4,194 cited
  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety1,816 cited
  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 1977Roland Barthes801 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 1985Alice Doesn't: Feminism, Semiotics, Cinema675 cited
  • 1994The apparitional lesbian: female homosexuality and modern culture665 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1988Feminism and Theatre396 cited
  • 1984Alice Doesn't: Feminism, Semiotics, Cinema315 cited
  • 1988Gynesis. Configurations of Woman and Modernity249 cited
  • 1991Film Bodies: Gender, Genre, and Excess238 cited
  • 1996Straight Sex: The Politics of Pleasure158 cited
  • 2005Listening to the SirensMusical Technologies of Queer Identity from Homer to Hedwig149 cited
  • 1989The Tradition of Female Transvestism in Early Modern Europe142 cited

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