Remix Theory: The Aesthetics of Sampling

Eduardo Navas

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Art, Technology, and Culture Music History and Culture Visual Culture and Art Theory

Abstract

Sampling and remixing are now common in art, music and new media. Assessing their aesthetic qualities by focusing on technical advances in 1970s and 80s music, and later in art and media, the author argues that 'Remix' punches above its deemed cultural weight.

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2015Remix Culture and English Language Teaching: The Expression of Learner Voice in Digital Multimodal Compositions 2019Unfreezing Creativity: A Dynamic Micro-longitudinal Approach 2016Gesturing Indigenous Futurities Through the Remix 2019Remixing as Praxis 2016Remix as Professional Learning: Educators’ Iterative Literacy Practice in CLMOOC 2015Remixing Early Cinema: Historical Explorations at the EYE Film Institute Netherlands 2017Digital consumers as cultural curators: the irony of Vaporwave 2019“More than a Music, It’s a Movement”: West Papua Decolonization Songs, Social Media, and the Remixing of Resistance

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