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Remix Theory: The Aesthetics of Sampling
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  • 2015Remix Culture and English Language Teaching: The Expression of Learner Voice in Digital Multimodal Compositions227 cited
  • 2019Unfreezing Creativity: A Dynamic Micro-longitudinal Approach55 cited
  • 2016Gesturing Indigenous Futurities Through the Remix51 cited
  • 2019Remixing as Praxis30 cited
  • 2016Remix as Professional Learning: Educators’ Iterative Literacy Practice in CLMOOC28 cited
  • 2015Remixing Early Cinema: Historical Explorations at the EYE Film Institute Netherlands14 cited
  • 2017Digital consumers as cultural curators: the irony of Vaporwave12 cited
  • 2019“More than a Music, It’s a Movement”: West Papua Decolonization Songs, Social Media, and the Remixing of Resistance11 cited
  • 2023Music from Aleppo during the Syrian War10 cited
  • 2024Rip It Up and Start Again: Creative Labor and the Industrialization of Remix10 cited
  • 2022Jawdat Saʿid and the Islamic Theology and Practice of Peace9 cited
  • 2023On Purposefully Poor Images: Aesthetic Encounters with Alienation7 cited
  • 2018Music and Transmediality: The Multi-Media Invasion ofJeff Wayne's Musical Version of The War of the Worlds3 cited
  • 2019The Terminology of Borrowing3 cited

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  • 2025Post-digital architectures of memory: informal preservation of media art1 cited
  • 2017Museus do inacabado para memórias efêmeras: notas sobre a conservação de obras de net art1 cited