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Remastering the Master: Hitchcock after Feminism
16 references·0 citing·30 second hop
Remastering the Master: Hitchcock after Feminism (2016)Remastering the Master: Hitchcock after F…Aesthetic and Feminist Theory: Rethinking Women’s Cinema (2018)Aesthetic and Feminist Theory…Hitchcock's Romantic Irony (2007)Hitchcock's Romantic IronyNo Future: Queer Theory and the Death Drive (2004)No Future: Queer Theory and t…Hitchcock: Past and Future (2004)Hitchcock: Past and FutureUninvited: classical Hollywood cinema and lesbian representability (2000)Uninvited: classical Hollywoo…Hitchcock: Suspense, Humour and Tone (2000)Hitchcock: Suspense, Humour a…Alfred Hitchcock: centenary essays (2000)Alfred Hitchcock: centenary e…Out in Culture (1995)Out in CultureThe Queer Voice in "Marnie" (1993)The Queer Voice in "Marnie"Hitchcock: the making of a reputation (1993)Hitchcock: the making of a re…Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood (1989)Hitchcock and Selznick: The R…The women who knew too much: Hitchcock and feminist theory (1988)The women who knew too much: …Hitchcock--the murderous gaze (1982)Hitchcock--the murderous gazeHitchcock, the first forty-four films (1979)Hitchcock, the first forty-fo…Is There a Feminine Aesthetic? (1977)Is There a Feminine Aesthetic?Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Heavenly Bodies: Film Stars and Society (1987)‘I’m Gay’: Declarations, Desire, and Coming Out On Prime-Time Television (2005)Popular culture, the ‘victim’ trope and queer youth analytics (2010)Queer Television Studies: Currents, Flows, and (Main)streams (2014)Piss Elegant: Freud, Hitchcock, and the Micturating Penis (1995)Gossip, Letters, Phones (2008)Some Hitchcockian Shots (2011)Mise en scene is dead, or the expressive, the excessive, the technical and the stylish (1992)Difficult work in a popular medium: Godard on ‘Hitchcock's method’ (2009)TWO MUCH (2019)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Psychoanalytic Film Theory (2003)Deleuze, Altered States and Film (2007)Visual "Drive" and Cinematic Narrative: Reading Gaze Theory in Lacan, Hitchcock, and Mulvey (2007)Orientations (2006)The times we’re in: Queer feminist criticism and the reparative ‘turn’ (2014)The commons: Infrastructures for troubling times* (2016)Joan Riviere and the Masquerade (2000)"Female Sobriety": Feminism, Motherhood, and the Works of Julia Franck (2008)Affirmative Aesthetics and Wilful Women (2020)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Feminist Film Studies (2012)Rereading Heterosexuality (2012)Hitchcock's Hidden Pictures (2010)Texture in Film (2014)Untouchable: ‘disabling’ cinema’s contract on contact in The Diving Bell and the Butterfly (2021)Life, Movement and the Fabulation of the Event (2007)Hitchcock and Feminist Criticism: From Rebecca to Marnie (2011)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2004No Future: Queer Theory and the Death Drive3,397 cited
  • 2000Uninvited: classical Hollywood cinema and lesbian representability381 cited
  • 1988The women who knew too much: Hitchcock and feminist theory235 cited
  • 1982Hitchcock--the murderous gaze148 cited
  • 1995Out in Culture139 cited
  • 1979Hitchcock, the first forty-four films94 cited
  • 2000Hitchcock: Suspense, Humour and Tone81 cited
  • 2007Hitchcock's Romantic Irony79 cited
  • 1977Is There a Feminine Aesthetic?76 cited
  • 1993Hitchcock: the making of a reputation69 cited
  • 2018Aesthetic and Feminist Theory: Rethinking Women’s Cinema63 cited
  • 1993The Queer Voice in "Marnie"59 cited
  • 1989Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood50 cited
  • 2000Alfred Hitchcock: centenary essays37 cited
  • 2004Hitchcock: Past and Future34 cited

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