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‘Thinking Something Makes It So’: Performing Robots, the Workings of Mimesis and the Importance of Character
10 references·0 citing·29 second hop
‘Thinking Something Makes It So’: Performing Robots, the Workings of Mimesis and the Importance of Character (2016)‘Thinking Something Makes It So’: Perform…The Routledge companion to puppetry and material performance (2015)The Routledge companion to pu…The Uncanny Valley [From the Field] (2012)The Uncanny Valley [From the …Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance (2011)Cyborg Theatre: Corporeal/Tec…Cyborg Theatre (2011)Cyborg TheatreAutomata and Mimesis on the Stage of Theatre History (2011)Automata and Mimesis on the S…Digital Performance (2007)Digital PerformanceStage Fright, Animals, and Other Theatrical Problems (2006)Stage Fright, Animals, and Ot…The Second Self (2005)The Second SelfLife on the Screen: Identity in the Age of the Internet (1997)Life on the Screen: Identity …The Fourth Discontinuity: The Co-Evolution of Humans and Machines. (1994)The Fourth Discontinuity: The…Writing and Difference (1980)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Passionate amateurs: theatre, communism, and love (2014)The theatrical public sphere (2015)The Interpretation of Cultures (2017)Plan 9 From Cyberspace: The Implications of the Internet for Personality and Social Psychology (2000)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Identity construction on Facebook: Digital empowerment in anchored relationships (2008)Digital Historiography and Performance (2016)Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance (2018)Shakespeare, Spectatorship and the Technologies of Performance (2020)Interactions With Robots: The Truths We Reveal About Ourselves (2016)A Mass-Produced Sociable Humanoid Robot: Pepper: The First Machine of Its Kind (2018)Almost human? A comparative case study on the social media presence of virtual influencers (2021)Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer (2015)Puppetry as reinforcement or rupture of cultural perceptions of the disabled body (2017)Developing wonder: Teaching theatre for the very young through collaboration with developmental psychology (2019)Flow in Computer-Mediated Communication (1992)Sociality with Objects (1997)Beyond the cyborg: performance, attunement and autonomous computation (2017)Shakespeare, Technicity, Theatre (2020)Choreographic Objects (2013)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Teleportation, Cyborgs and the Posthuman Ideology (2002)Animals and Androids (2007)Culture – Theory – Disability : Encounters between Disability Studies and Cultural Studies (2017)Elaborations of the Machine: The Automata Ballets (2016)The Rhetoric of Seduction; or Materiality under Erasure (2020)Early Modern Media Ecology (2024)
this work references cited by second hop

References

  • 1997Life on the Screen: Identity in the Age of the Internet6,363 cited
  • 2012The Uncanny Valley [From the Field]3,525 cited
  • 2005The Second Self566 cited
  • 2007Digital Performance501 cited
  • 2006Stage Fright, Animals, and Other Theatrical Problems279 cited
  • 2011Cyborg Theatre91 cited
  • 1994The Fourth Discontinuity: The Co-Evolution of Humans and Machines.64 cited
  • 2011Automata and Mimesis on the Stage of Theatre History61 cited
  • 2011Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance49 cited
  • 2015The Routledge companion to puppetry and material performance28 cited

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