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Organum –discantus–contrapunctusin the Middle Ages
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Organum –discantus–contrapunctusin the Middle Ages (2002)Organum –discantus–contrapunctusin the Mi…From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)From Maker to Composer: Impro…Essays on Medieval Music in Honor of David G. Hughes (1996)Essays on Medieval Music in H…De institutione musica (1994)De institutione musicaOn Compositional Process in the Fifteenth Century (1987)On Compositional Process in t…The music treatise of Anonymous IV : a new translation (1985)The music treatise of Anonymo…Modern Musical Scholarship (1980)Modern Musical ScholarshipHucbald, Guido, and John on Music: Three Medieval Treatises (1979)Hucbald, Guido, and John on M…Ars cantus mensurabilis (1977)Ars cantus mensurabilisJohannes Boens Musica und Seine Konsonanzenlehre (1971)Johannes Boens Musica und Sei…Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit (1971)Ad organum faciendum. Lehrsch…The art of counterpoint (1968)The art of counterpointSource Readings in Music History (1966)Source Readings in Music Hist…Histoire de l'harmonie au moyen age (1966)Histoire de l'harmonie au moy…New Oxford History of Music (1958)New Oxford History of MusicCorpus scriptorum de musica (1957)Corpus scriptorum de musicaMusic Theory (2018)Music TheoryMusic and the moderni, 1300–1350 (2018)Music and the moderni, 1300–1…Improvisation as concept and musical practice in the fifteenth century (2015)Improvisation as concept and …Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521) (2014)Reading and rhythm in the ‘La…Rehearing Machaut's Motets (2010)Rehearing Machaut's MotetsImprovisation: Its Nature And Practice In Music (1980)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Playing with History (2002)Playing with history: the historical approach to musical performance (2003)Virtuosity and the Musical Work (2003)Harvard Dictionary of Music (1946)European Literature and the Latin Middle Ages (1954)European Literature and the Latin Middle Ages (1956)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Bookbindings (2008)Speculative 'Musica' and the Medieval University of Paris (2009)The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript (1972)Reading and Reminiscence: Tinctoris on the Beauty of Music (1996)Energetics (2002)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)Toward a New Historical View of Gregorian Chant (1980)A Portrait of The Artist as a Young Woman (1982)Tableaux vivants: Landscape, History Painting, and the Visual Imagination in Mendelssohn's Orchestral Music (1997)Virtuosity as rhetoric: Agency and transformation in Paganini's mastery of the violin (1998)Religion (2014)Beethoven 1806 (2019)Writing about Popular Music (2019)Fauvel and Marigny: Which Came First? (2023)The Cambridge History of Musical Performance (2012)Authorship and Identity in Late Thirteenth-Century Motets (2022)New sources of English thirteenth- and fourteenth- century polyphony (1982)New sources of English fourteenth- and fifteenth-century polyphony (1983)
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References

  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1987On Compositional Process in the Fifteenth Century119 cited
  • 1966Source Readings in Music History113 cited
  • 1979Hucbald, Guido, and John on Music: Three Medieval Treatises110 cited
  • 1971Johannes Boens Musica und Seine Konsonanzenlehre100 cited
  • 1958New Oxford History of Music79 cited
  • 1977Ars cantus mensurabilis67 cited
  • 1985The music treatise of Anonymous IV : a new translation66 cited
  • 1994De institutione musica58 cited
  • 1980Modern Musical Scholarship49 cited
  • 1957Corpus scriptorum de musica48 cited
  • 1971Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit41 cited
  • 1966Histoire de l'harmonie au moyen age41 cited
  • 1968The art of counterpoint41 cited
  • 1996Essays on Medieval Music in Honor of David G. Hughes38 cited

Cited by

  • 2014Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521)

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37 cited
  • 2010Rehearing Machaut's Motets27 cited
  • 2015Improvisation as concept and musical practice in the fifteenth century21 cited
  • 2018Music and the moderni, 1300–13505 cited
  • 2018Music Theory4 cited