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TWO Metrical Consonance and Dissonance: Definitions and Taxonomy
16 references·0 citing·25 second hop
TWO Metrical Consonance and Dissonance: Definitions and Taxonomy (1999)TWO Metrical Consonance and Dissonance: D…The Second Practice of Nineteenth-Century Tonality (1997)The Second Practice of Ninete…Robert Schumann (1997)Robert SchumannSchumann and His World (1994)Schumann and His WorldInteracting Pulse Streams in Schoenberg's Atonal Polyphony (1994)Interacting Pulse Streams in …The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)The Dramatization of Hypermet…Brahms studies: analytical and historical perspectives (1991)Brahms studies: analytical an…The time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…Some Extensions of the Concepts of Metrical Consonance and Dissonance (1987)Some Extensions of the Concep…The Art of Strict Musical Composition (1984)The Art of Strict Musical Com…Robert Schumann : eine Biographie (1984)Robert Schumann : eine Biogra…Brahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…System der musikalischen Rhythmik und Metrik (1981)System der musikalischen Rhyt…Alternatives to Monotonality in Early Nineteenth-Century Music (1981)Alternatives to Monotonality …Structural Functions in Music (1977)Structural Functions in MusicMusical Form and Musical Performance (1969)Musical Form and Musical Perf…The Rhythmic Structure of Music (1961)The Rhythmic Structure of Mus…Texture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)Musical Performance as Interpretation (1995)From Policy “Frames” to “Framing” (2014)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Harmony in Haydn and Mozart (2012)The Quest for the Origins of Music in Germany Circa 1900 (2000)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Ironic Narrative, Ironic Reading (2009)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)Themes and Double Themes: The Problem of the Symphonic in Brahms (1994)Brahms and the Poetic Motto: A Hermeneutic Aid? (1997)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)An Overview of Hierarchical Structure in Music (1983)Assessment of rhythmic entrainment at multiple timescales in dyslexia: Evidence for disruption to syllable timing (2013)Schumann and Romantic Distance (1997)Extraordinary Measures (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)
this work references cited by second hop

References

  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 1961The Rhythmic Structure of Music366 cited
  • 1977Structural Functions in Music330 cited
  • 1969Musical Form and Musical Performance314 cited
  • 1984Brahms and the Principle of Developing Variation189 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
  • 1997Robert Schumann123 cited
  • 1991Brahms studies: analytical and historical perspectives122 cited
  • 1984The Art of Strict Musical Composition111 cited
  • 1984Robert Schumann : eine Biographie96 cited
  • 1994Interacting Pulse Streams in Schoenberg's Atonal Polyphony89 cited
  • 1981System der musikalischen Rhythmik und Metrik86 cited
  • 1987Some Extensions of the Concepts of Metrical Consonance and Dissonance83 cited
  • 1994Schumann and His World78 cited
  • 1992The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony75 cited

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