Errancy as Work: Seven Strewn Notes for Dance Dramaturgy

Abstract

In the winter of 2009, in the Spanish city of Murcia, an International Seminar on New Dramaturgies was organised by CENDEAC (Center for Documentation and Advanced Studies in Contemporary Art) and Centro Párraga (Cultural Center for the Development and Research of the Scenic Arts, linked to the Regional Government). Gathering performing arts professionals, scholars, and students, the seminar’s debates departed from the following proposition: “We can understand dramaturgical practice as an exercise of interrogation and composition that has traditionally mediated the difficult relationship between writing and physical action (excerpt from their open call).” 1 These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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