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Naming of Parts: Notes on the Contratenor, c.1350–1450
0 references·6 citing·12 second hop
Naming of Parts: Notes on the Contratenor, c.1350–1450 (2009)Naming of Parts: Notes on the Contratenor…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…Rehearing Machaut's Motets (2010)Rehearing Machaut's MotetsMusic and Verbal Meaning: Machaut's Polytextual Songs (2010)Music and Verbal Meaning: Mac…Discant, Counterpoint, and Harmony (1962)On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections (1986)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)The Grammar of Early Music: Preconditions for Analysis (2014)Music and the moderni, 1300–1350 (2018)Later Medieval Philosophy (1150–1350) (1987)The Musical Work: Reality or Invention? (2000)Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut (2002)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)Intelligibility Redux (2017)
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Cited by

  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 2010Rehearing Machaut's Motets27 cited
  • 2010Music and Verbal Meaning: Machaut's Polytextual Songs8 cited

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