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Visual-spatial intelligence in propaganda and public relations discourse: The case of Roberto Rossellini’s early and educational-historical films
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References

  • 1993Multiple intelligences: the theory in practice3,788 cited
  • 2009Rhetorical and Critical Approaches to Public Relations II275 cited
  • 2009Public Relations: Critical Debates and Contemporary Practice204 cited
  • 1993Fascist modernism: aesthetics, politics, and the avant-garde94 cited
  • 2000Storia della televisione italiana.68 cited
  • 1999Public Relations in Film and Fiction: 1930 to 199559 cited
  • 1973Ideology and Aesthetic Hypotheses in the Criticism of Neo-Realism46 cited
  • 2011Global Neorealism: The Transnational History of a Film Style37 cited
  • 2013Public Relations and the Making of Modern Britain: Stephen Tallents and the Birth of a Progressive Media Profession36 cited
  • 2012Public relations and the making of modern Britain: Stephen Tallents and the birth of a progressive media profession35 cited
  • 2009PR goes to the movies: The image of public relations improves from 1996 to 200831 cited
  • 2001Roberto Rossellini: magician of the real24 cited
  • 2001Anthropologie et cinéma20 cited
  • 2006The case for ethical propaganda within a democracy: Ivy Lee's successful 1913–1914 railroad rate campaign20 cited
  • 2011Frank Capra's Why We Fight and film documentary discourse in public relations

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  • 2003Fábulas de lo visible: el cine como creador de realidades14 cited
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