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The End of the Line: Africa, Death, and Freedom in Caribbean Cinema
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The End of the Line: Africa, Death, and Freedom in Caribbean Cinema (2001)The End of the Line: Africa, Death, and F…Biography of a Runaway Slave (2020)Biography of a Runaway SlaveBiography of a Runaway Slave (2019)Biography of a Runaway SlaveMasters of the Dew (2018)Masters of the DewThe Repeating Island (1996)The Repeating IslandThe repeating island: the Caribbean and the postmodern perspective (1993)The repeating island: the Car…Third World Film Making and the West (1988)Third World Film Making and t…Popular Culture and Oral Traditions in African Film (1988)Popular Culture and Oral Trad…Alejo Carpentier: The Pilgrim at Home (1978)Alejo Carpentier: The Pilgrim…La guaracha del macho Camacho (1977)La guaracha del macho CamachoThe Bridge of Beyond (1974)The Bridge of BeyondThe Imaginary Signifier (1975)WOMEN AND FILM (1983)Film Theory and Criticism (1985)Visual "Literacy": A Theoretical Synthesis (1993)Authorship and criticism in self-reflexive African cinema (2011)Rouch's Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film (2013)The English Professors of Brazil: On the Diasporic Roots of the Yorùbá Nation (1999)All God's Children Had Wings: The Flying African in History, Literature, and Lore (2017)Migration and the historical formation of Latin America in a global perspective (2018)ENTRE LA GUARACHA Y EL BOLERO: UN CICLO DE INTERTEXTOS MUSICALES EN LA NUEVA NARRATIVA PUERTORRIQUEÑA (1993)‘Puerto Rico is salsa’: Propositions, appropriations and interpretations of a popular genre (1996)The literature ofIndigenismo (1996)Shadowboxing in the Mangrove (1997)Black/Queer/Diaspora at the Current Conjuncture (2012)Island Movements: Thinking with the Archipelago (2013)Chapter 1 fromRedescubrimiento de América En El Arte, “America's Relation to Europe in the Arts” (1936) (2010)Stop the Press? The Changing Media of Music Criticism (2019)Indigenous Media: Faustian Contract or Global Village? (1991)Speaking For, Speaking About, Speaking With, or Speaking Alongside — An Anthropological and Documentary Dilemma (1991)Reconceptualizing national cinema/s (1993)Autobiography of a Slave (2003)City on the Edge (2003)Secrets, Gossip, and Gods (2002)Envisioning the Archipelago (2011)Time and the otherwise: Plantations, garrisons and being human in the Caribbean (2016)Roundtable: Writing, History, and Revolution (2005)Island writing, Creole cultures (2012)Cold War and Black Transnationalism: Aimé Césaire and Mercer Cook at the First International Congress of Black Writers and Artists (2015)Mother, Memory, History: Maternal Genealogies in Gayl Jones'sCorregidoraand Simone Schwarz-Bart'sPluie et vent sur T�lum�e Miracle (2003)The Stealers of Fire (2004)
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References

  • 1996The Repeating Island966 cited
  • 1993The repeating island: the Caribbean and the postmodern perspective508 cited
  • 1988Third World Film Making and the West202 cited
  • 2020Biography of a Runaway Slave113 cited
  • 1988Popular Culture and Oral Traditions in African Film47 cited
  • 1977La guaracha del macho Camacho42 cited
  • 2019Biography of a Runaway Slave41 cited
  • 2018Masters of the Dew31 cited
  • 1978Alejo Carpentier: The Pilgrim at Home27 cited
  • 1974The Bridge of Beyond15 cited

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