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Music in Java
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Music in Java (1987)Music in JavaKnowledge Transmission in Javanese Karawitan: Is It Time for an Ontological Turn? (2020)Knowledge Transmission in Jav…Memorializing Colonialism: Images of the Japanese Occupation of Indonesia in Japanese Popular Theatre (2012)Memorializing Colonialism: Im…Gamelan Performance Outside Indonesia “Setting Sail”: Babar Layar and Notions of “Bi-musicality” (2011)Gamelan Performance Outside I…The Pia ’s Subtle Sustain: Contemporary Ethnic Identity and the Revitalization of the Lanna “Heart Harp” (2007)The Pia ’s Subtle Sustain: Co…The Social Meanings of Modal Practices: Status, Gender, History, and Pathet in Central Javanese Music (1998)The Social Meanings of Modal …On the Tuning and Stretched Octave of Javanese Gamelans (1994)On the Tuning and Stretched O…A Musical Time Capsule from Java (1993)A Musical Time Capsule from J…Tembang Macapat in Central Java (1983)Tembang Macapat in Central Ja…A model for pattern perception with musical applications part II: The information content of pitch structures (1977)A model for pattern perceptio…Introduction to ethnomusicology (1969)Introduction to ethnomusicolo…Researches in Experimental Phonetics (1900)Measa, eene Bijdrage tot het Dynamisme der Bare'e-Sprekende Toradja's en Enkele Omwonende Volken (1919)Unterweisung im Tonsatz (1937)The Value of Science (1905)The craft of musical composition (1941)Technique de mon langage musical (1944)Postmodernism, or, The cultural logic of late capitalism (1991)Recentering Globalization: Popular Culture and Japanese Transnationalism (2002)Engaging Colonial Nostalgia (2005)The study of folk music in the modern world (1989)Bali: A Paradise Created (1997)The textures of Central Javanese gamelan music: Pre-notation and its discontents (2008)History of the Indian Archipelago (2013)Hybridity and harmony (2014)Music, Encounter, Togetherness (2024)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)From ritual to theatre : the human seriousness of play (1982)Subcultural Sounds: Micromusics of the West (1993)Acceptance of Javanese Karawitan in Japan: Appreciation of traditional culture and community activities (2023)Matjapat Songs in Central and West Java (1975)Lagu, laras, layang, rethinking melody in Javanese music (1980)Tunes That Bind: Paul J. Seelig, Eva Gauthier, Charles T. Griffes, and the Javanese Other (2009)The Indianized States of Southeast Asia (1969)The Invention of Tradition (1986)Southeast Asia : from prehistory to history (2004)Transmission of traditional Lanna music in Chiang Mai: Continuity and change in a contemporary urban environment (2011)Women and Music in Cross-Cultural Perspective (1989)Bewitching Women, Pious Men: Gender and Body Politics in Southeast Asia (1996)Singing and Silences: Transformations of Power through Javanese Seduction Scenarios (2000)The New Grove dictionary of music and musicians (2001)Aesthetic and Spiritual Correlations in Javanese Gamelan Music (2007)Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity (1995)Microtonal Tunings in Electronic Dance Music: A Survey of Precedent and Potential (2016)The Interpretation of Cultures (2017)“Equiheptatonic” Tuning in Thai Classical Music: Strict Propriety and Step Sizes (2019)Traditional Music in Modern Java (2019)Outline of a Theory of Practice. (1980)Modernity at Large: Cultural Dimensions of Globalization. (1998)
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Cited by

  • 1993A Musical Time Capsule from Java21 cited
  • 1994On the Tuning and Stretched Octave of Javanese Gamelans18 cited
  • 1998The Social Meanings of Modal Practices: Status, Gender, History, and Pathet in Central Javanese Music17 cited
  • 1977A model for pattern perception with musical applications part II: The information content of pitch structures10 cited
  • 1983Tembang Macapat in Central Java6 cited
  • 2020Knowledge Transmission in Javanese Karawitan: Is It Time for an Ontological Turn?5 cited
  • 2011Gamelan Performance Outside Indonesia “Setting Sail”: Babar Layar and Notions of “Bi-musicality”5 cited
  • 2012Memorializing Colonialism: Images of the Japanese Occupation of Indonesia in Japanese Popular Theatre5 cited
  • 2007The Pia ’s Subtle Sustain: Contemporary Ethnic Identity and the Revitalization of the Lanna “Heart Harp”4 cited
  • 1969Introduction to ethnomusicology3 cited

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