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What Happened to Indian Music Theory? Indo-Occidentalism?
9 references·2 citing·29 second hop
What Happened to Indian Music Theory? Indo-Occidentalism? (2008)What Happened to Indian Music Theory? Ind…Hindu Music from Various Authors (2013)Hindu Music from Various Auth…The music of India (2010)The music of IndiaHindustani music: a tradition in transition (2006)Hindustani music: a tradition…Two men and music : nationalism in the making of an Indian classical tradition (2005)Two men and music : nationali…Temperament: the idea that solved music's greatest riddle (2002)Temperament: the idea that so…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…A dictionary of South Indian music and musicians (1984)A dictionary of South Indian …A short historical survey of the music of Upper India (1974)A short historical survey of …Intonation in present-day North Indian classical music (1963)Intonation in present-day Nor…Practices of Music Education in Gurukul and Related Systems (2020)Practices of Music Education …Authority, Critique, and Revision in the Sanskrit Music-Theoretic Tradition: Rereading the Svara-mela-kalānidhi (2014)Authority, Critique, and Revi…Music and Musical Thought in Early India (1992)Two Men and Music (2005)Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Rāgs Around the Clock (2024)FORM, FUNCTION AND CULTURE HISTORY OF A BORNEO MUSICAL INSTRUMENT* (1962)A Preliminary Survey of the Oboe in India (1970)Stages in the evolution of music (1993)Festivals ofdhrupadin northern India: New contexts for an ancient art (1994)Comparative Organography in Early Modern Empires (2009)Music, Lyrics, and the Bengali Book: Hindustani Musicology in Calcutta, 1818–1905 (2016)Style and Tradition in Karaikkudi Vīṇā Playing (1991)Le chant des serpents (2008)Musicians and the politics of dignity in South India (2013)Action, Criticism and Theory for Music Education (2004)In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia (2014)Tellings and Texts (2015)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Perceptual, Acoustical, and Musical Aspects of the Tambūrā Drone (1989)La délectation du rasa: La tradition esthétique de l'Inde (1994)On the Twelve Basic Intervals in South Indian Classical Music (2003)Music as artisan tradition (1998)Singing in tune with God: Bengali vaiṣṇava musical scholarship in the eighteenth century (2022)Pedagogical strategies for the development of improvisation and composition in North Indian classical music (2025)The Third Stream: Oḍiśī Music, Regional Nationalism, and the Concept of "Classical" (2010)A study of variability in raga motifs in performance contexts (2021)Musical intervals in speech (2007)Improving Intonation with A Drone Accompaniment (2020)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2005Two men and music : nationalism in the making of an Indian classical tradition104 cited
  • 1984A dictionary of South Indian music and musicians36 cited
  • 1963Intonation in present-day North Indian classical music27 cited
  • 1974A short historical survey of the music of Upper India25 cited
  • 2010The music of India25 cited
  • 2002Temperament: the idea that solved music's greatest riddle21 cited
  • 2013Hindu Music from Various Authors19 cited
  • 2006Hindustani music: a tradition in transition18 cited

Cited by

  • 2020Practices of Music Education in Gurukul and Related Systems6 cited
  • 2014Authority, Critique, and Revision in the Sanskrit Music-Theoretic Tradition: Rereading the Svara-mela-kalānidhi3 cited

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