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Introduction: understanding the symphony
16 references·1 citing·26 second hop
Introduction: understanding the symphony (2013)Introduction: understanding the symphonyElements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Classical Form (1998)Classical FormMaximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Beethoven Hero (1995)Beethoven HeroFeminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Playing with Signs (1991)Playing with SignsThe structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The structural transformation…Style and music: theory, history, and ideology (1990)Style and music: theory, hist…Die Musik in Geschichte und Gegenwart (1989)Die Musik in Geschichte und G…Foundations of Music History (1983)Foundations of Music HistoryIntroduction to the Sociology of Music. (1977)Introduction to the Sociology…The Anxiety of Influence: A Theory of Poetry (1974)The Anxiety of Influence: A T…The Burden of the Past and the English Poet (1970)The Burden of the Past and th…The birth of tragedy ; and, The case of Wagner (1967)The birth of tragedy ; and, T…Von der langsamen Einleitung zur Schlussapotheose. Die zwei Typen der Moll- Dur-Dramaturgie in Pariser Opernouvertüren des späten 18. Jahrhunderts und ihre Relevanz für Beethoven (2020)Von der langsamen Einleitung …blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Varieties of Participation in Complex Governance (2006)Putting the S back in corporate social responsibility: A multilevel theory of social change in organizations (2007)Postmodernism and the Social Sciences (1992)The Spirituality Revolution (2004)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Religion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)Modernism and the Reinvention of Decadence (2014)Plagiarisms, Authorships, and the Academic Death Penalty (1995)Methodology of the Oppressed (2010)Show sold separately: promos, spoilers, and other media paratexts (2010)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Club cultures: music, media and subcultural capital (1996)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Handbook of Emotions (1993)Music in Everyday Life (2000)Extraordinary Measures (2011)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)
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References

  • 1990The structural transformation of the public sphere: an inquiry into a category of bourgeois society12,693 cited
  • 1974The Anxiety of Influence: A Theory of Poetry2,673 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1977Introduction to the Sociology of Music.663 cited
  • 1967The birth of tragedy ; and, The case of Wagner651 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1970The Burden of the Past and the English Poet508 cited
  • 1989Die Musik in Geschichte und Gegenwart496 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 1995Beethoven Hero402 cited
  • 1991Playing with Signs386 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1983Foundations of Music History364 cited

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  • 2020Von der langsamen Einleitung zur Schlussapotheose. Die zwei Typen der Moll- Dur-Dramaturgie in Pariser Opernouvertüren des späten 18. Jahrhunderts und ihre Relevanz für Beethoven2 cited