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Cited by

• 2018Women and Music in Sixteenth-Century Ferrara57 cited
• 1993Everyday Creativity, Eminent Creativity, and Pscyhopathology55 cited
• 1993Music, Gender and Education A Report on Some Exploratory Research49 cited
• 2002I. Exposing the Gendered Discourse of Music Education34 cited
• 2016Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach32 cited
• 2003Gender and Race Bias in the Judgement of Western Art Music Performance32 cited
• 1993Women in Music, Feminist Criticism, and Guerrilla Musicology: Reflections on Recent Polemics32 cited
• 1990Elena Malvezzi's keyboard manuscript: a new sixteenth-century source29 cited
• 2010‘One equal music’: an exploration of gender perceptions and the fair assessment by beginning music teachers of musical compositions26 cited
• 2007Musique et genre en sociologie24 cited
• 2020Renaissance Polyphony23 cited
• 2000An Analysis of Gender in a Spanish Music Textbook21 cited
• 2017The Rise and Fall, and the Rise (Again) of Feminist Research in Music: ‘What Goes Around Comes Around’19 cited
• 1996Noble et grande servante de la musique: Telling the Story of Nadia Boulanger's Conducting Career