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Looking Back at Ourselves: The Problem with the Musical Work-Concept
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  • 2010Bach's Dialogue with Modernity: Perspectives on the Passions46 cited
  • 2013Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism45 cited
  • 2019The Requiem of Tomás Luis de Victoria (1603)25 cited
  • 2007How critical is music theory?14 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2014The Musical Work Reconsidered, In Hindsight11 cited
  • 2007Catching Dreams: Editing Film Scores for Publication11 cited
  • 2019Musical Authorship from Schütz to Bach10 cited
  • 2010Y a-t-il une sociologie possible de l'œuvre musicale ? Adorno et au-delà9 cited
  • 2007Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work9 cited
  • 2013Werk — Performanz — Konsum: Der musikalische Werk-Diskurs5 cited
  • 2024Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach3 cited
  • 20219781000510539.pdf3 cited
  • 2002Joining the historical performance debate3 cited
  • 2002Negotiating between work, composer and performer: rewriting the story of notational progress

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3 cited