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Improvisation as concept and musical practice in the fifteenth century
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Improvisation as concept and musical practice in the fifteenth century (2015)Improvisation as concept and musical prac…SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)SINGING UPON THE BOOK ACCORDI…Medieval music and the art of memory (2005)Medieval music and the art of…Production of presence: what meaning cannot convey (2004)Production of presence: what …With voice and pen : coming to know medieval song and how it was made (2003)With voice and pen : coming t…Organum –discantus–contrapunctusin the Middle Ages (2002)Organum –discantus–contrapunc…A Theory of Art (1999)A Theory of ArtFrom Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)From Maker to Composer: Impro…On Compositional Process in the Fifteenth Century (1987)On Compositional Process in t…Music and Theatre from Poliziano to Monteverdi (1982)Music and Theatre from Polizi…The Cornucopian Text: Problems of Writing in the French Renaissance (1981)The Cornucopian Text: Problem…THE FANTASIA AS MUSICAL IMAGE (1974)THE FANTASIA AS MUSICAL IMAGEThe art of counterpoint (1968)The art of counterpointImprovisation: Its Nature And Practice In Music (1980)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Playing with History (2002)Playing with history: the historical approach to musical performance (2003)Virtuosity and the Musical Work (2003)Harvard Dictionary of Music (1946)European Literature and the Latin Middle Ages (1954)European Literature and the Latin Middle Ages (1956)Reading and Reminiscence: Tinctoris on the Beauty of Music (1996)The Cambridge History of Western Music Theory (2002)Medieval Music and the Art of Memory (2005)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)Renaissance Polyphony (2020)Theorizing Visual Representation in Children's Literature (2008)59th Yearbook of the National Reading Conference (2010)Hegel on the Modern Arts (2010)Isabella d'Este and Lucrezia Borgia as Patrons of Music: The Frottola at Mantua and Ferrara (1985)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Cambridge Companion to Opera Studies (2012)Readings of Imperial Rome from Lomonosov to Pushkin (1993)The Renaissance Crisis of Exemplarity (1998)Apothecaries' Cornets: Books as Waste Paper in the Renaissance (2018)Elena Malvezzi's keyboard manuscript: a new sixteenth-century source (1990)Counterpoint pedagogy in the Renaissance (2002)1 Constitutional Amendments: “Materializing” Organizational Communication (2009)The Accomplishment of Authority Through Presentification (2009)Tragic Pleasure from Homer to Plato (2017)ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING (2011)Polyphony in medieval Paris the art of composing with plainchant (2018)Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Holderlin, Nietzsche, and Heidegger (2006)Rethinking the Orality-Literacy Paradigm in Musicology (2010)Fixity, Flexibility, and Compositional Process in Old Hispanic Chant (2016)
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References

  • 2004Production of presence: what meaning cannot convey1,215 cited
  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1982Music and Theatre from Poliziano to Monteverdi223 cited
  • 1981The Cornucopian Text: Problems of Writing in the French Renaissance147 cited
  • 1987On Compositional Process in the Fifteenth Century119 cited
  • 2003With voice and pen : coming to know medieval song and how it was made107 cited
  • 2005Medieval music and the art of memory85 cited
  • 2011SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO71 cited
  • 1999A Theory of Art44 cited
  • 1968The art of counterpoint41 cited
  • 2002Organum –discantus–contrapunctusin the Middle Ages37 cited
  • 1974THE FANTASIA AS MUSICAL IMAGE22 cited

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