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The policy of electro-amplified popular music in France: The liberal context and the regulation of rebellious cultures
16 references·0 citing·30 second hop
The policy of electro-amplified popular music in France: The liberal context and the regulation of rebellious cultures (2013)The policy of electro-amplified popular m…Les intermittents du spectacle (2011)Les intermittents du spectacleSubculture (2010)SubcultureSociologie des pratiques culturelles (2010)Sociologie des pratiques cult…Politique du hip-hop : Action publique et cultures urbaines (2008)Politique du hip-hop : Action…La production de la culture (2006)La production de la cultureMusic in Movement: Cultural Politics and Old and New Social Movements (2002)Music in Movement: Cultural P…Les fans des Beatles (2000)Les fans des BeatlesKey concepts in popular music (1998)Key concepts in popular musicSubculture: The Meaning of Style (1995)Subculture: The Meaning of St…Studying Popular Music (1991)Studying Popular MusicLipstick traces: a secret history of the twentieth century (1990)Lipstick traces: a secret his…Rebel Rock: The Politics of Popular Music (1986)Rebel Rock: The Politics of P…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…The Sacralization of Disorder: Symbolism in Rock Music (1979)The Sacralization of Disorder…Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Rock 'N' Roll Is Here to Pay:…Selected Philosophical Essays. (1975)Selected Philosophical Essays.Resistance Through Rituals (1978)Performing Rites (1996)3.2. MARXISM AND LITERATURE (2006)Performing opposition or, how social movements move (2006)Festivals and Social Change: Intersections of Pleasure and Politics at a Community Music Festival (2008)Conservative and Right-Wing Movements (2010)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Artists, Aestheticisation and the Field of Gentrification (2003)Music—Drastic or Gnostic? (2004)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)Understanding Popular Culture (2006)Methodology of the Oppressed (2010)Consuming Life (2001)Bracketing in Research: A Typology (2004)Husserl and the Promise of Time (2009)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)Subcultures, Scenes or Tribes? None of the Above (2005)La « sécurité routière », un programme sans risque. La neutralisation d'un problème politique et social à la télévision (2008)Can Culture Account for Investment Expectations? (2016)Des petits rats et des hommes La mise à l’épreuve de l’identité sexuée des apprentis danseurs (2016)Analysing popular music: theory, method and practice (1982)Why 1955? Explaining the advent of rock music (1990)Producing Artistic Value: The Case of Rock Music (1994)
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References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 2010Subculture1,268 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.686 cited
  • 1990Lipstick traces: a secret history of the twentieth century596 cited
  • 1991Studying Popular Music556 cited
  • 1977Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry207 cited
  • 1986Rebel Rock: The Politics of Popular Music154 cited
  • 1975Selected Philosophical Essays.150 cited
  • 2010Sociologie des pratiques culturelles148 cited
  • 2002Music in Movement: Cultural Politics and Old and New Social Movements119 cited
  • 1998Key concepts in popular music119 cited
  • 2006La production de la culture90 cited
  • 2011Les intermittents du spectacle67 cited
  • 2000Les fans des Beatles61 cited
  • 2008Politique du hip-hop : Action publique et cultures urbaines42 cited
  • 1979The Sacralization of Disorder: Symbolism in Rock Music37 cited

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