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Strukturell vermittelte Magie. Kognitionswissenschaftliche Annäherungen an Helmut Lachenmanns Pression und Allegro Sostenuto
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Strukturell vermittelte Magie. Kognitionswissenschaftliche Annäherungen an Helmut Lachenmanns Pression und Allegro Sostenuto (2008)Strukturell vermittelte Magie. Kognitions…The Theory of Perception in the Aesthetic Conception of Helmut Lachenmann: A 'Redefinition' Trial of the 'Functional' Aspect of Music (2004)The Theory of Perception in t…Musical Coherence, Motive, and Categorization (1999)Musical Coherence, Motive, an…Family resemblances: Studies in the internal structure of categories (1975)Family resemblances: Studies …Philosophische Grammatik. (1971)Philosophische Grammatik.Emotion and Meaning in Music (1957)Emotion and Meaning in MusicBasic objects in natural categories (1976)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Associative Sets, Categories, and Music Analysis (2004)Mathematical and computational modelling within a music analysis framework: motivic topologies as a case study (2012)Design for Change: Creating Significant Learning Experiences in the Music Classroom (2016)Thought and language (1962)Fuzzy sets (1965)Features of similarity. (1977)Conceptualizing, Measuring, and Managing Customer-Based Brand Equity (1993)A taxonomy of the emotions of literary response and a theory of identification in fictional narrative (1995)Is Infant-Directed Speech Prosody a Result of the Vocal Expression of Emotion? (2000)Being Together in Time: Musical Experience and the Mirror Neuron System (2009)The logical analysis of language (2003)“Measuring up to Measure” Dysmorphophobia as a Language Game (2011)An Attitude Towards an Artificial Soul? Responses to the “Nazi Chatbot” (2017)
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References

  • 1975Family resemblances: Studies in the internal structure of categories5,932 cited
  • 1957Emotion and Meaning in Music782 cited
  • 1971Philosophische Grammatik.76 cited
  • 1999Musical Coherence, Motive, and Categorization30 cited
  • 2004The Theory of Perception in the Aesthetic Conception of Helmut Lachenmann: A 'Redefinition' Trial of the 'Functional' Aspect of Music5 cited

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