References

• 2000X-ray fluorescence spectrometry in art and archaeology267 cited
• 2011Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings188 cited
• 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
• 2013Modern Methods for Analysing Archaeological and Historical Glass176 cited
• 2014Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography116 cited
• 2013The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings76 cited
• 2013Full-field XANES analysis of Roman ceramics to estimate firing conditions—A novel probe to study hierarchical heterogeneous materials72 cited
• 2012Revealing hidden paint layers in oil paintings by means of scanning macro-XRF: a mock-up study based on Rembrandt's “An old man in military costume”61 cited
• 2007Synchrotron-Based X-ray Spectromicroscopy Used for the Study of an Atypical Micrometric Pigment in 16th Century Paintings61 cited
• 2005X-rays for Archaeology51 cited
• 2008Synchrotron radiation and cultural heritage: combined XANES/XRF study at Mn K-edge of blue, grey or black coloured palaeontological and archaeological bone material35 cited
• 2011Co speciation in blue decorations of blue-and-white porcelains from Jingdezhen kiln by using XAFS spectroscopy34 cited
• 2004Identification of ancient textile fibres from Khirbet Qumran caves using synchrotron radiation microbeam diffraction