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The popularity of the MATRIX trilogy of films has generated considerable critical interest, including an essay by leading theorist Slavoj Zizek. However, most of the work within the field of cinema studies has tended to focus on the philosophical implications of these films set within two worlds, one of which is a computer-generated artificial reality. This essay, by contrast, focuses on issues of spectacle, consumption, and gendered display; in taking this completely new approach, it thus sheds a different light on the way in which the films work and assesses how these aspects of the films problematise the existing discussions of the films in terms of concepts such as ‘hyper-reality’. The research is governed by three questions. Drawing on the work of the philosopher Alain Badieu (not yet translated from French), the essay investigates the kind of cinematic spectacle that the films provide. Second, it asks questions about the role of costuming in the construction of cinematic spectacle and the presentation of gender. Finally, it seeks to identify the marketing strategies employed in promoting the film. In this way, the essay seeks to answer questions concerning the role of cinematic spectacle in feeding consumer demands for clothes and other commodities. The primary sources of the research are the film itself and material on the film’s promotion and marketing. The analysis involves a combination of textual analysis with theoretical work drawn from feminist theory, French political theory and cultural readings of ‘fashion.’ In this way, the discussion seeks to integrate textual analysis with an understanding of the ways in which films – and the costumes employed in them - become objects of cultural consumption.
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