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VOICE‐LEADING ENERGETICS IN WAGNER'S ‘TRISTAN IDIOM’
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References

  • 1987The Body in the Mind6,478 cited
  • 2006Elements of Sonata Theory645 cited
  • 2005The Anti-Christ, Ecce homo, Twilight of the idols, and other writings554 cited
  • 1991Music and Discourse: Toward a Semiology of Music514 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert427 cited
  • 2012Musical Forces: Motion, Metaphor, and Meaning in Music297 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice294 cited
  • 2000A Cognitive Theory of Musical Meaning254 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature238 cited
  • 2004Uncanny Resemblances: Tonal Signification in the Freudian Age155 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents155 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 2004MimomaniaMusic and Gesture in Nineteenth-Century Opera143 cited
  • 1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg142 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"133 cited

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2003
Uniformity, Balance, and Smoothness in Atonal Voice Leading
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