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Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling
12 references·0 citing·31 second hop
Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling (2005)Mapping the Geometries of Pitch-Class Set…Special Cases of the Interval Function between Pitch-Class Sets X and Y (2001)Special Cases of the Interval…The Interval Angle: A Similarity Measure for Pitch-Class Sets (1998)The Interval Angle: A Similar…Issues in the Study of Similarity in Atonal Music (1996)Issues in the Study of Simila…Equivalence and Similarity in Pitch and Their Interaction with PCSet Theory (1995)Equivalence and Similarity in…The Music of Claude Debussy (1990)The Music of Claude DebussySimilarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation (1990)Similarity of Interval-Class …Nearest neighbor analysis of psychological spaces. (1986)Nearest neighbor analysis of …Similarity, separability, and the triangle inequality. (1982)Similarity, separability, and…A Similarity Index for Pitch-Class Sets (1979)A Similarity Index for Pitch-…A Response to a Response: On PCSet Relatedness (1979)A Response to a Response: On …Intervallic Relations in Atonal Music (1965)Intervallic Relations in Aton…Re: Intervallic Relations between Two Collections of Notes (1959)Re: Intervallic Relations bet…TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS (1960)Set Structure as a Compositional Determinant (1961)Some Combinational Properties of Pitch Structures (1965)Zygonic Theory: Introduction, Scope, and Prospects (2009)Family resemblances: Studies in the internal structure of categories (1975)Basic objects in natural categories (1976)Features of similarity. (1977)An efficient method for obtaining similarity data (1994)Similarity, interactive activation, and mapping. (1994)Parameters of social identity. (1995)The Principles of Psychology (1891)Judgment under Uncertainty: Heuristics and Biases (1975)Combining Prototypes: A Selective Modification Model (1988)Relational similarity and the nonindependence of features in similarity judgments (1991)Systematicity as a selection constraint in analogical mapping (1991)Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function" (1977)Associative Sets, Categories, and Music Analysis (2004)Dual Interval Space in Twentieth-Century Music (2003)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music (2002)Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)A Theory of Set-Complexes for Music (1964)Continuous Harmonic Spaces (2007)David Lewin and maximally even sets (2007)Modelling the similarity of pitch collections with expectation tensors (2011)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music (1992)Chromatic Third-Relations and Tonal Structure in the Songs of Debussy (1995)The ♯IV(♭V) Hypothesis: Testing the Limits of Schenker's Theory of Tonality (1997)Twentieth-Century Chamber Music (2004)
this work references cited by second hop

References

  • 1982Similarity, separability, and the triangle inequality.469 cited
  • 1986Nearest neighbor analysis of psychological spaces.174 cited
  • 1959Re: Intervallic Relations between Two Collections of Notes88 cited
  • 1990The Music of Claude Debussy61 cited
  • 1979A Similarity Index for Pitch-Class Sets52 cited
  • 1990Similarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation48 cited
  • 2001Special Cases of the Interval Function between Pitch-Class Sets X and Y44 cited
  • 1995Equivalence and Similarity in Pitch and Their Interaction with PCSet Theory37 cited
  • 1965Intervallic Relations in Atonal Music29 cited
  • 1979A Response to a Response: On PCSet Relatedness25 cited
  • 1998The Interval Angle: A Similarity Measure for Pitch-Class Sets23 cited
  • 1996Issues in the Study of Similarity in Atonal Music10 cited

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