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Advertising & Society Review
10 references·13 citing·49 second hop
Advertising & Society Review (2011)Advertising & Society ReviewGender Differences in Creativity (2008)Gender Differences in Creativ…Creative women in advertising agencies: why so few “babes in boyland”? (2008)Creative women in advertising…Implications of a Systems Perspective for the Study of Creativity (1998)Implications of a Systems Per…Gender Relations and Identity at Work: A Case Study of Masculinities and Femininities in an Advertising Agency (1998)Gender Relations and Identity…Why are there so few? (creative women: Visual artists, mathematicians, musicians) (1991)Why are there so few? (creati…Visual and Other Pleasures (1989)Visual and Other PleasuresThe Meaning of Work in Women's Lives A Sociopsychological Model of Career Choice and Work Behavior (1984)The Meaning of Work in Women'…Sex Stereotypes (1984)Sex StereotypesGender stereotypes stem from the distribution of women and men into social roles. (1984)Gender stereotypes stem from …Content Analysis: An Introduction to its Methodology. (1984)Content Analysis: An Introduc…Dark side of skin‐lightening products: Social responsibility of advertisers (2022)Dark side of skin‐lightening …“A Whiter Shade of Pale”: Whiteness, Female Beauty Standards, and Ethical Engagement Across Three Cultures (2022)“A Whiter Shade of Pale”: Whi…Polysemic Interpretations: Examining How Women with Visual Impairments Incorporate, Resist, and Subvert Advertising Content (2021)Polysemic Interpretations: Ex…Overcoming Conflict Between Symmetric Occupations: How “Creatives” and “Suits” Use Gender Ordering in Advertising (2021)Overcoming Conflict Between S…Evaluating the Impact of Religious Icons and Symbols on Consumer’s Brand Evaluation: Context of Hindu Religion (2021)Evaluating the Impact of Reli…Blinded by science? Constructing truth and authority in early twentieth-century Virol advertisements (2021)Blinded by science? 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this work references cited by second hop

References

  • 1984Content Analysis: An Introduction to its Methodology.24,312 cited
  • 1989Visual and Other Pleasures2,412 cited
  • 1984Gender stereotypes stem from the distribution of women and men into social roles.1,848 cited
  • 1998Implications of a Systems Perspective for the Study of Creativity1,504 cited
  • 2008Gender Differences in Creativity676 cited
  • 1984The Meaning of Work in Women's Lives A Sociopsychological Model of Career Choice and Work Behavior403 cited
  • 1998Gender Relations and Identity at Work: A Case Study of Masculinities and Femininities in an Advertising Agency257 cited
  • 1991Why are there so few? (creative women: Visual artists, mathematicians, musicians)116 cited
  • 1984Sex Stereotypes80 cited
  • 2008Creative women in advertising agencies: why so few “babes in boyland”?53 cited

Cited by

  • 2010Representations of women’s active embodiment and men’s ritualized visibility in sport47 cited
  • 2022“A Whiter Shade of Pale”: Whiteness, Female Beauty Standards, and Ethical Engagement Across Three Cultures38 cited
  • 2014An advertising aesthetic: Real beauty and visual impairment31 cited
  • 2021Evaluating the Impact of Religious Icons and Symbols on Consumer’s Brand Evaluation: Context of Hindu Religion27 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2015The fashion engagement grid: understanding men's responses to fashion advertising24 cited
  • 2017“Who Doesn’t Want to Be This Hot Mom?”: Celebrity Mom Profiles and Mothers’ Accounts of Their Postpartum Bodies23 cited
  • 2021Overcoming Conflict Between Symmetric Occupations: How “Creatives” and “Suits” Use Gender Ordering in Advertising21 cited
  • 2015A Humanistic Approach to Understanding Child Consumer Socialization in US Homes20 cited
  • 2021Blinded by science? Constructing truth and authority in early twentieth-century Virol advertisements18 cited
  • 2021Polysemic Interpretations: Examining How Women with Visual Impairments Incorporate, Resist, and Subvert Advertising Content14 cited
  • 2009Historical Perspectives in Marketing Education11 cited
  • 2022Dark side of skin‐lightening products: Social responsibility of advertisers10 cited
  • 2016Motivations for activists’ participation in the ‘It Gets Better Project’6 cited