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A reception study on non-professional subtitling: Do audiences notice any difference?
16 references·4 citing·40 second hop
A reception study on non-professional subtitling: Do audiences notice any difference? (2016)A reception study on non-professional sub…Intervention in new amateur subtitling cultures: a multimodal account (2021)Intervention in new amateur s…Community Translation: Translation as a social activity and its possible consequences in the advent of Web 2.0 and beyond (2021)Community Translation: Transl…Subtitles on the moving image: an overview of eye tracking studies (2015)Subtitles on the moving image…Subtitles and Eye Tracking: Reading and Performance (2013)Subtitles and Eye Tracking: R…On Translator Ethics: Principles for mediation between cultures (2012)On Translator Ethics: Princip…Fansub Dreaming on ViKi (2012)Fansub Dreaming on ViKiAmateur subtitling as immaterial labour in digital media culture (2012)Amateur subtitling as immater…The Cognitive Effectiveness of Subtitle Processing (2010)The Cognitive Effectiveness o…Are all professionals experts? (2010)Are all professionals experts?Amateur Subtitling on the Internet (2009)Amateur Subtitling on the Int…Wikinomics: how mass collaboration changes everything (2007)Wikinomics: how mass collabor…Eye Movements of Children and Adults While Reading Television Subtitles (2007)Eye Movements of Children and…Fansubs: Audiovisual Translation in an Amateur Environment (2006)Fansubs: Audiovisual Translat…Eye-Movement Control in Reading (2006)Eye-Movement Control in Readi…Eye Movement Patterns of Captioned Television Viewers (2000)Eye Movement Patterns of Capt…For an Abusive Subtitling (1999)For an Abusive SubtitlingReception Studies and Audiovisual Translation (2020)Reception Studies and Audiovi…Fansubbing: Latest Trends and Future Prospects (2020)Fansubbing: Latest Trends and…Using translation process research to explore the creation of subtitles: an eye tracking study comparing professional and trainee subtitlers (2018)Using translation process res…The reception of Persian dubbing: a survey on preferences and perception of quality standards in Iran (2017)The reception of Persian dubb…Disjuncture and Difference in the Global Cultural Economy (1990)The Translator's Invisibility (2003)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)Amateur subtitling and the pragmatics of spectatorial subjectivity (2012)Multimodality in Translation and Interpreting Studies: Theoretical and Methodological Perspectives (2014)The danmaku interface on Bilibili and the recontextualised translation practice: a semiotic technology perspective (2019)An Accented Cinema : Exilic and Diasporic Filmmaking (2001)An Accented Cinema (2001)'Subtitling's a carnival': New practices in cyberspace (2018)Mental Representations: A Dual Coding Approach (1986)Dual coding theory: Retrospect and current status. (1991)Eye movements in reading and information processing: 20 years of research. (1998)Attention distribution and cognitive load in a subtitled academic lecture: L1 vs. L2 (2014)Measuring cognitive load in the presence of educational video: Towards a multimodal methodology (2016)Second or foreign language learning through watching audio-visual input and the role of on-screen text (2022)Perception and communication. (1958)Perception and Communication (2016)Processing and learning of enhanced English collocations: An eye movement study (2016)Difference in Translation. (1985)The experience of the foreign: culture and translation in romantic Germany (1993)World Cinemas, Transnational Perspectives (2009)When the Moon Waxes Red (2014)Crowdsourcing and online collaborative translations (2017)The Routledge Handbook of Audiovisual Translation (2018)A textbook of translation (1988)Non-professionals Translating and Interpreting (2012)Evolution of User-generated Translation (2015)Participative Web And User-Created Content: Web 2.0 Wikis and Social Networking (2007)Language and Learning in the Digital Age (2011)Training Translators for Crisis Communication: Translators Without Borders as an Example (2016)Fansubbing in China (2017)Online collaborative translation: its ethical, social, and conceptual conditions and consequences (2021)Processing of native and foreign language subtitles in films: An eye tracking study (2012)Communicating COVID-19 information on TikTok: a content analysis of TikTok videos from official accounts featured in the COVID-19 information hub (2021)Verbatim, Standard, or Edited?: Reading Patterns of Different Captioning Styles Among Deaf, Hard of Hearing, and Hearing Viewers (2011)Dynamic Subtitles (2015)Viewers can keep up with fast subtitles: Evidence from eye movements (2018)Knowledge Collaboration in Online Communities (2011)Marketing meets Web 2.0, social media, and creative consumers: Implications for international marketing strategy (2012)From rapid prototyping to home fabrication: How 3D printing is changing business model innovation (2015)
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References

  • 2007Wikinomics: how mass collaboration changes everything3,367 cited
  • 2006Fansubs: Audiovisual Translation in an Amateur Environment314 cited
  • 2010The Cognitive Effectiveness of Subtitle Processing229 cited
  • 1999For an Abusive Subtitling202 cited
  • 2007Eye Movements of Children and Adults While Reading Television Subtitles169 cited
  • 2013Subtitles and Eye Tracking: Reading and Performance133 cited
  • 2012Fansub Dreaming on ViKi111 cited
  • 2000Eye Movement Patterns of Captioned Television Viewers110 cited
  • 2021Community Translation: Translation as a social activity and its possible consequences in the advent of Web 2.0 and beyond95 cited
  • 2021Intervention in new amateur subtitling cultures: a multimodal account90 cited
  • 2009Amateur Subtitling on the Internet89 cited
  • 2006Eye-Movement Control in Reading82 cited
  • 2012On Translator Ethics: Principles for mediation between cultures77 cited
  • 2012Amateur subtitling as immaterial labour in digital media culture71 cited
  • 2010Are all professionals experts?70 cited
  • 2015Subtitles on the moving image: an overview of eye tracking studies

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56 cited

Cited by

  • 2020Reception Studies and Audiovisual Translation36 cited
  • 2017The reception of Persian dubbing: a survey on preferences and perception of quality standards in Iran35 cited
  • 2020Fansubbing: Latest Trends and Future Prospects32 cited
  • 2018Using translation process research to explore the creation of subtitles: an eye tracking study comparing professional and trainee subtitlers28 cited