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Inalienable performances, mutable heirlooms: Dance, cultural inheritance, and political transformation in the Republic of Guinea
16 references·0 citing·39 second hop
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this work references cited by second hop

References

  • 1986The Social Life of Things6,257 cited
  • 1986The cultural biography of things: commoditization as process4,863 cited
  • 1992The Gift: The Form and Reason for Exchange in Archaic Societies.4,842 cited
  • 2006Uses of Heritage4,077 cited
  • 1996The Rules of Art2,397 cited
  • 2001Toward An Anthropological Theory of Value1,842 cited
  • 1999Occult economies and the violence of abstraction: notes from the South African postcolony1,530 cited
  • 1992Inalienable Possessions1,258 cited
  • 1986The Gift, the Indian Gift and the 'Indian Gift'826 cited
  • 2002African Modes of Self-Writing806 cited
  • 2011Performing Remains803 cited
  • 2020Occult Economies and the Violence of Abstraction: Notes from the South African Postcolony766 cited
  • 1999Remotely Global635 cited
  • 2010Nostalgia for the Future552 cited
  • 2004Kinshasa : tales of the invisible city548 cited
  • 2002Performing the Nation: Swahili Music and Cultural Politics in Tanzania528 cited

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