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Towards a conceptual foundation for documenting tangible and intangible elements of a cultural object
14 references·11 citing·35 second hop
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References

  • 2017The Interpretation of Cultures16,449 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 1973Techniques of the body ∗1,989 cited
  • 1958Morphology of the folktale1,728 cited
  • 2005Material anchors for conceptual blends847 cited
  • 2018Convention for the Safeguarding of Intangible Cultural Heritage (2003)647 cited
  • 2004Intangible Heritage as Metacultural Production1628 cited
  • 2004Safeguarding Intangible Cultural Heritage in the 2003 UNESCO Convention: a critical appraisal458 cited
  • 2014Intangible Heritage as Metacultural Production442 cited
  • 1991Semiotics and Art History369 cited
  • 2013Mundane objects: materiality and non-verbal communication180 cited
  • 1982The Image and the Eye114 cited
  • 2003The interdependency of the tangible and intangible cultural heritage91 cited
  • 2012An Introduction to Iconography58 cited

Cited by

  • 2018Development status of the digitization of intangible cultural heritages46 cited
  • 2023Integrating quantitative and qualitative analysis to evaluate digital applications in museums

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13 cited
  • 2025Anthropological Insights into Emotion Semantics in Intangible Cultural Heritage Museums: A Case Study of Eastern Sichuan, China13 cited
  • 2022Towards cultural sustainability: The potency of 'The Thousand and One Nights' in reviving the imageability of Baghdad city12 cited
  • 2023Digitally Sustaining12 cited
  • 2022Formal Aesthetics of the Facades of Historical Public Buildings (Dutch East Indies Architecture in Malang)6 cited
  • 2022A generalized data model for digital archiving in cultural and historical domains5 cited
  • 2021Aesthetic visual signs for the public building facade design of Dutch East Indies architectural heritage in Malang City3 cited
  • 2025Developing a metadata elements set for digital archives of Chinese restoration techniques: A scoping literature review2 cited
  • 2025Construction of a Computer-Aided Metadata Scheme for Chu-style Lacquerware Painting Techniques, a Key Intangible Cultural Heritage of Hubei Province1 cited
  • 2024Moving Experiences - Towards a Conceptual Framework for Performative Artefacts in Museums1 cited