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The Significance of BeyondHallyuFilm and Television Content in South Korea's Mediasphere
16 references·0 citing·35 second hop
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References

  • 2005Hybridity and the rise of Korean popular culture in Asia575 cited
  • 2010Korean Masculinities and Transcultural Consumption299 cited
  • 2008East Asian Pop Culture: Analysing the Korean Wave221 cited
  • 2009Globalization, or the logic of cultural hybridization: the case of the Korean wave212 cited
  • 2010Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols183 cited
  • 2014The Korean Wave: Korean Media Go Global127 cited
  • 2011DESPERATELY SEEKING EAST ASIA AMIDST THE POPULARITY OF SOUTH KOREAN POP CULTURE IN ASIA75 cited
  • 2014K-pop - The International Rise of the Korean Music Industry73 cited
  • 2010Constructing a New Image. Hallyu in Taiwan67 cited
  • 2008Re-Imagining a Cosmopolitan ‘Asian Us’:34 cited
  • 2013The Korean Popular Culture Reader32 cited
  • 2008Mapping Out the Cultural Politics of “the Korean Wave” in Contemporary South Korea32 cited
  • 2014The Korean Wave32 cited
  • 2016Endorsing upper-class refinement or critiquing extravagance and debt? The rise of neoliberal genre modification in contemporary South Korean cinema12 cited
  • 2016Life is Beautiful: Gay Representation, Moral Panics, and South Korean Television Drama BeyondHallyu

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12 cited
  • 2016BeyondHallyu: Innovation, Social Critique, and Experimentation in South Korean Cinema and Television11 cited
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