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The Cambridge history of nineteenth-century music
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The Cambridge history of nineteenth-century music (2002)The Cambridge history of nineteenth-centu…The Cambridge Companion to the Eroica Symphony (2020)The Cambridge Companion to th…Dvořák and Subordinate Theme Closure (2020)Dvořák and Subordinate Theme …Writing about Popular Music (2019)Writing about Popular MusicStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Beethoven 1806 (2019)Beethoven 1806Staging Authenticity (2013)Staging AuthenticityOther classical repertories (2013)Other classical repertoriesVoices and singers (2012)Voices and singersThe operatic event: opera houses and opera audiences (2012)The operatic event: opera hou…Opera and the technologies of theatrical production (2012)Opera and the technologies of…Opera and modes of theatrical production (2012)Opera and modes of theatrical…Opera and gender studies (2012)Opera and gender studiesIntroduction: opera studies today (2012)Introduction: opera studies t…‘Too much music’: the media of opera (2012)‘Too much music’: the media o…Nepomuceno e Brahms: A Questão da Influência Revisitada (2011)Nepomuceno e Brahms: A Questã…Nineteenth-Century Music: Quantity, Quality, Qualities (2004)Nineteenth-Century Music: Qua…Fundamentals of Musical Composition (1968)Nineteenth-century music (1989)Style and music: theory, history, and ideology (1990)Highbrow/Lowbrow (1988)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Feminine Endings: Music, Gender, and Sexuality (1992)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Nations and nationalism since 1780 programme, myth, reality (1995)From Max Weber: Essays in Sociology (1958)Sincerity and Authenticity (1972)Presentation of Self in Everyday Life, the (2008)“Worse than the Harassment Itself.” Journalists’ Reactions to Newsroom Social Media Policies (2023)Autonomous or controlled interpreters? Model of Werktreue internalization for classical musicians (2024)Distinction. A Social Critique of the Judgement of Taste (1985)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century (2021)Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century (2021)The imaginary museum of musical works: an essay in the philosophy of music (1993)The New Grove dictionary of music and musicians (2001)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Musicking: the meanings of performing and listening (1999)Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy (2020)
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Cited by

  • 2019Writing about Popular Music53 cited
  • 2019Beethoven 180636 cited
  • 2020The Cambridge Companion to the Eroica Symphony21 cited
  • 2011Nepomuceno e Brahms: A Questão da Influência Revisitada18 cited
  • 2020Dvořák and Subordinate Theme Closure18 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2013Staging Authenticity16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2013Other classical repertories4 cited

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