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Cited by

• 2009Milestones in the development of symbolic behaviour: a case study from Wonderwerk Cave, South Africa57 cited
• 2014Shades of the Rainbow Serpent? A KhoeSan Animal between Myth and Landscape in Southern Africa—Ethnographic Contextualisations of Rock Art Representations22 cited
• 2005Art, Authorship and Female Issues in a Northern Sotho Rock Painting Site20 cited
• 2015‘HUNTERS-WITH-SHEEP’: THE |XAM BUSHMEN OF SOUTH AFRICA BETWEEN PASTORALISM AND FORAGING19 cited
• 2018Before the Anthropocene: human pasts in Karoo landscapes16 cited
• 2021The Keimoes kite landscape of the trans-Gariep, South Africa12 cited
• 2003Rock Art as Source and Resource: Research and Responsibility towards Education, Heritage and Tourism12 cited
• 2016Sounds and sound thinking in |xam-ka !au: “These are those to which I am listening with all my ears”9 cited
• 2016Revisiting the Parietal Art of Wonderwerk Cave, South Africa8 cited
• 2015Digital technologies in context: Prehistoric engravings in the Northern Cape, South Africa7 cited
• 2021Telling impressions: Breuil's 1929 visit to rock art and Stone Age sites near Kimberley, South Africa4 cited
• 2016The vultures of Kalabasput: On the interpretation of a series of unusual Karoo rock engravings2 cited
• 2016Marking memories: indigenous north of the !Garib River and contemporary in Westville, South Africa