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Searching for blood in Chinese lacquerware: zhū xiě huī 豬 血 灰
3 references·6 citing·30 second hop
Searching for blood in Chinese lacquerware: zhū xiě huī 豬 血 灰 (2016)Searching for blood in Chinese lacquerwar…Material Characterization Tests: for Objects of Art and Archaeology (2015)Material Characterization Tes…Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques (2013)Complementary cross-section b…An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal) (2013)An innovative, interdisciplin…Exploring thitsi in Qing Dynasty lacquerware: Insights from a preliminary study (2025)Exploring thitsi in Qing Dyna…Identification of organic binding media in ancient architectural decoration by THM–Py–GC/MS (2024)Identification of organic bin…Comparative Study on UV Degradation of Black Chinese Lacquers with Different Additives (2023)Comparative Study on UV Degra…#HereToStay: murals of resistance and civic engagement (2021)#HereToStay: murals of resist…Application of Different Fourier Transform Infrared (FT-IR) Methods in the Characterization of Lime-Based Mortars with Oxblood (2018)Application of Different Four…Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries (2016)Simplified Chinese lacquer te…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Identification of Organic Binders in Ancient Chinese Paintings by Immunological Techniques (2015)A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis (2016)Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite? (2016)Identification of Proteins in Renaissance Paintings by Proteomics (2006)Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification (2015)Scientific investigation of the Imperial Gates belonging to the wooden church from Săcel, Turda County, Romania (2015)Gildings from Andalusia: Materials used in different types of artworks along centuries (2017)Science and Civilization in China (1955)The Organic Chemistry of Museum Objects (1988)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Violence, Peace, and Peace Research (1969)The Politics of Nonviolent Action (1974)Cultural Violence (1990)Deterioration of surface structure of lacquer films due to ultraviolet irradiation (2006)XPS characterization of naturally aged wood (2009)Natural lacquer was used as a coating and an adhesive 8000 years ago, by early humans at Kuahuqiao, determined by ELISA (2018)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Look but don't touch: Non-invasive chemical analysis of organic paint binders – A review (2024)Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry (2006)Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Study of Egyptian mummification balms by FT-IR spectroscopy and GC–MS (2013)A methodological approach to estimate soil corrosivity for archaeological copper alloy artefacts (2018)Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand (2019)
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References

  • 2015Material Characterization Tests: for Objects of Art and Archaeology87 cited
  • 2013Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques34 cited
  • 2013An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal)29 cited

Cited by

  • 2018Application of Different Fourier Transform Infrared (FT-IR) Methods in the Characterization of Lime-Based Mortars with Oxblood17 cited
  • 2023Comparative Study on UV Degradation of Black Chinese Lacquers with Different Additives15 cited
  • 2024Identification of organic binding media in ancient architectural decoration by THM–Py–GC/MS15 cited
  • 2016Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries14 cited
  • 2025Exploring thitsi in Qing Dynasty lacquerware: Insights from a preliminary study12 cited
  • 2021#HereToStay: murals of resistance and civic engagement4 cited

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