‘Genesis Eternal’: After Paul Klee1

Abstract

This chapter shows that the pathways or routes through Deleuze's texts form an open tracery: ‘There is no heart, but only a problem – that is, a distribution of notable points; there is no centre but always decentring, series, from one to another, with the limp of a presence and a absence – of an excess, of a deficiency’. And that, within this open system, this problem of immanent space and representation is distributed across three main terrain: first, across the realm of art and the role of genesis in this practice; second, in the face of a politics of encountering the foreign; and, third, in the field of a science grappling with the nature within us and the role it played in Klee's programme of artistic expression.

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