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Ancoradas no Corpo, Ancoradas na Experiência: Etnografia, Autoetnografia e Estudos em Dança
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Ancoradas no Corpo, Ancoradas na Experiência: Etnografia, Autoetnografia e Estudos em Dança (2016)Ancoradas no Corpo, Ancoradas na Experiên…Reflexive Methodology: New Vistas for Qualitative Research (2012)Reflexive Methodology: New Vi…The Body, Dance and Cultural Theory (2003)The Body, Dance and Cultural …Reflexive methodology - new vistas for qualitative research (2001)Reflexive methodology - new v…Folk Dance Research in Hungary: Relations among Theory, Fieldwork and the Archive (1999)Folk Dance Research in Hungar…Ballet across borders: career and culture in the world of dancers (1999)Ballet across borders: career…Samba: resistance in motion (1996)Samba: resistance in motionLa description ethnographique (1996)La description ethnographiqueDance as a Mode of Research Representation (1995)Dance as a Mode of Research R…Sharing the dance: contact improvisation and American culture (1991)Sharing the dance: contact im…Qualitative research and evaluation methods (1980)Qualitative research and eval…Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Local Knowledge: Further Essays In Interpretive Anthropology (1983)That Rare Feeling: Re-presenting Research Through Poetic Transcription (1997)Qualitative Inquiry: Tensions And Transformations (2000)The SAGE Handbook of Curriculum and Instruction (2008)World history of dance (1937)“A structural analysis of the Hungarian folk dance” (A methodological sketch). Győrgy Martin and Ernő Pesovár. (Acta Ethnographica, Vol. X, Nos. 1-2, pp. 1-40, Budapest, 1961.) (1963)Anthropological Research (1978)Antropologia tańca (2014)Enhancing students' understanding and skills on dance music: An action research (2021)Approaches to Dance (4): Moving, Teaching, Thinking, Writing: A Minor Excavation (2022)How Many Interviews Are Enough? (2005)Three Approaches to Qualitative Content Analysis (2005)Purposeful Sampling for Qualitative Data Collection and Analysis in Mixed Method Implementation Research (2013)Classifying the Findings in Qualitative Studies (2003)Reflexive Accounts and Accounts of Reflexivity in Qualitative Data Analysis (2003)A Typology for the Case Study in Social Science Following a Review of Definition, Discourse, and Structure (2011)A very precarious profession: (2006)Listening to the Dancer's Body (2007)Revisiting the Total Institution: Performative Regulation in the Reinventive Institution (2010)THE POLITICS AND POETICS OF DANCE (1998)Moving Bodies, Acting Selves (1999)Afterwords (2000)Ontology in Organization and Management Studies: A Critical Realist Perspective (2005)3 Critical Management Studies (2007)Reflecting on Reflexivity: Reflexive Textual Practices in Organization and Management Theory (2008)‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers (2006)Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York (2006)Perceiving subjectivity in bodily movement: The case of dancers (2009)Les récits de vie comme stratégie d’accès au réel en sciences de gestion : pertinence, positionnement et perspectives d’analyse (2005)Cross-Cultural Management Revisited (2020)Qualitative Research Methods (2020)Secrets, Gossip, and Gods (2002)Geographies for Moving Bodies: Thinking, Dancing, Spaces (2008)
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References

  • 1980Qualitative research and evaluation methods35,808 cited
  • 2012Reflexive Methodology: New Vistas for Qualitative Research3,463 cited
  • 2001Reflexive methodology - new vistas for qualitative research1,398 cited
  • 1991Sharing the dance: contact improvisation and American culture309 cited
  • 1996Samba: resistance in motion238 cited
  • 2003The Body, Dance and Cultural Theory223 cited
  • 1996La description ethnographique158 cited
  • 1999Ballet across borders: career and culture in the world of dancers141 cited
  • 1995Dance as a Mode of Research Representation63 cited
  • 1999Folk Dance Research in Hungary: Relations among Theory, Fieldwork and the Archive17 cited

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