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The Eye of the Medusa: XRF Imaging Reveals Unknown Traces of Antique Polychromy
8 references·5 citing·35 second hop
The Eye of the Medusa: XRF Imaging Reveals Unknown Traces of Antique Polychromy (2016)The Eye of the Medusa: XRF Imaging Reveal…Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Strategies for processing meg…Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning (2015)Chemical imaging of stained-g…Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum (2013)Scanning XRF investigation of…Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Mobile depth profiling and su…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…Degradation of azurite in mural paintings: distribution of copper carbonate, chlorides and oxalates by SRFTIR (2010)Degradation of azurite in mur…ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)ArtTAX – a new mobile spectro…Guide de Delphes : le site (1991)Guide de Delphes : le siteReview of in-situ non- and micro-destructive techniques for pigment analysis in architectural heritage (2025)Review of in-situ non- and mi…MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden (2021)MA-XRF for the Characterisati…The importance of being little: MA‐XRF on manuscripts on a Venetian island (2020)The importance of being littl…MA-XRF and hyperspectral reflectance imaging for visualizing traces of antique polychromy on the Frieze of the Siphnian Treasury (2018)MA-XRF and hyperspectral refl…Investigation of the pigment use in the Tomb of the Reliefs and other tombs in the Etruscan Banditaccia Necropolis (2018)Investigation of the pigment …Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper (2018)Macroscopic X-ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization (2018)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography (2014)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products (2015)Diagnostics of wall paintings: A smart and reliable approach (2015)Painting the Palace of Apries II: ancient pigments of the reliefs from the Palace of Apries, Lower Egypt (2019)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Macro X-ray fluorescence and VNIR hyperspectral imaging in the investigation of two panels by Marco d'Oggiono (2019)Micro-XRF analysis of a Brazilian polychrome sculpture (2019)Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy (2022)VERMILION AND CINNABAR (1972)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience (2022)Deep learning assisted XRF spectra classification (2024)The Study of Pigments in Cultural Heritage: A Review Using Machine Learning (2024)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Analytical chemistry in the field of cultural heritage (2015)CRONO: a fast and reconfigurable macro X‐ray fluorescence scanner for in‐situ investigations of polychrome surfaces (2017)Framing the Gift: The Politics of the Siphnian Treasury at Delphi (2001)The Athenian Treasury at Delphi and the Material of Politics (2004)Herodotus: Histories Book VIII (2007)
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References

  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
  • 2001ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects160 cited
  • 1991Guide de Delphes : le site148 cited
  • 2013Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review119 cited
  • 2013Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum57 cited
  • 2015Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning56 cited
  • 2010Degradation of azurite in mural paintings: distribution of copper carbonate, chlorides and oxalates by SRFTIR44 cited

Cited by

  • 2021MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden36 cited
  • 2018MA-XRF and hyperspectral reflectance imaging for visualizing traces of antique polychromy on the Frieze of the Siphnian Treasury30 cited
  • 2020The importance of being little: MA‐XRF on manuscripts on a Venetian island30 cited
  • 2025Review of in-situ non- and micro-destructive techniques for pigment analysis in architectural heritage23 cited
  • 2018

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Investigation of the pigment use in the Tomb of the Reliefs and other tombs in the Etruscan Banditaccia Necropolis
17 cited