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Working in the Creative Economy: Risk, Adaptation, and the Persistence of Exclusionary Networks

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References

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2015Birds of a Feather: Informal Recruitment Practices and Gendered Outcomes for Screenwriting Work in the UK Film Industry81 cited
2011The Ethics of Insecurity44 cited
2016The indeterminacy of ‘temporariness’: Control and power in neo-bureaucratic organizations and work in UK television44 cited
2018

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Hiding gender: How female composers manage gender identity

36 cited

2018The composition of precarity: ‘emerging’ composers’ experiences of opportunity culture in contemporary classical music27 cited

2018Creative industries and the creative economy of the West of Ireland: evidence of sustainable change?27 cited

2020‘Put some balls on that woman’: Gendered repertoires of inequality in screen composers’ careers24 cited

2016Racialisation in the Creative Industries and the Arab-Australian Multicultural Artist22 cited

2010Unintended consequences: examining the impact of tax credit programmes on work in the Canadian independent film and television production sector17 cited

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20144 Screenwriters in Toronto: Centre, Periphery, and Exclusionary Networks in Canadian Screen Storytelling11 cited