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Film at the border: Memories of cinemagoing in Laredo, Texas
12 references·1 citing·39 second hop
Film at the border: Memories of cinemagoing in Laredo, Texas (2017)Film at the border: Memories of cinemagoi…CINEMAGOING AS A CONDITIONAL PART OF EVERYDAY LIFE (2013)CINEMAGOING AS A CONDITIONAL …What to Do with Cinema Memory? (2011)What to Do with Cinema Memory?New Cinema Histories (2011)New Cinema HistoriesMetropolitan vs rural cinemagoing in Flanders, 1925-75 (2010)Metropolitan vs rural cinemag…Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema (2010)Cinema, Memory, Modernity: Th…Cultura, identidad y memoria. Materiales para una sociología de los procesos culturales en las franjas fronterizas (2009)Cultura, identidad y memoria.…I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research (2006)I Have Seen the Future and It…Heterotopia, heterochronia: place and time in cinema memory (2004)Heterotopia, heterochronia: p…Memory reclamation of cinema going in Bridgend, South Wales, 1930–1960 (2003)Memory reclamation of cinema …Memory and popular film (2003)Memory and popular filmAn Everyday Magic (2002)An Everyday MagicBorders and Boundaries of State and Self at the End of Empire (1991)Borders and Boundaries of Sta…Exhibición y programación cinematográfica en León, México desde la perspectiva de la Nueva Historia del Cine (1940 A 1970) (2019)Exhibición y programación cin…The Peculiarities of Oral History* (1981)Psychoanalysis and Cinema (1982)Family Secrets: Acts of Memory and Imagination (1995)CINEMAGOING AS A HETEROGENEOUS AND MULTIDIMENSIONAL STRATEGY: NARRATIVES OF WOMAN SPECTATORS (2017)Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s (2017)The Making of the English Working Class (1964)The Making of the English Working Class. (1966)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Transnational audiences: geocultural approaches (2013)New cinema history and the comparative mode (2016)Memories of cinemagoing and film experience: An introduction (2017)Representation: Cultural representations and signifying practices. (1997)La mitología fronteriza: Turner y la modernidad (2011)Human Nature and the Social Order (2017)The Interpretation of Cultures (2017)Del silenciu al esporpolle identitariu: hacia una normalización de calter «rellacional» del asturianu y del gallegoasturianu na sociedá rizomática d’anguaño / From silence to the strengthening of identities: towards a «relationship» planning of Asturian and Galician-Asturian languages in the current rhizomatic society (2020)The Past is a Foreign Country (1986)How Societies Remember (1989)Imperial eyes: travel writing and transculturation (1992)The Modalities of Nostalgia (2006)Biceps, Bitches and Borgs: Reading Jarhead ’s Representation of the Construction of the (Masculine) Military Body (2012)Post-Truth Populism: The French Anti-Gender Theory Movement and Cross-Cultural Similarities (2018)The Dominant Ideology Thesis. (1981)The Dominant Ideology Thesis (1982)Audiences: A Sociological Theory of Performance and Imagination (1998)Modes of Reception: A Consolidated Analytical Framework (2007)Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance (2010)Q Methodology in Audience Research: Bridging the Qualitative/Quantitative 'Divide'? (2011)Film in Contemporary Southeast Asia (2012)Cinematic Past Lives: Memory, Modernity, and Cinematic Reincarnation in Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (2015)SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİ (2019)Film, cinema and reception studies : revisiting research on audience’s filmic and cinematic experiences (2018)Film, cinema and reception studies (2018)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Migrant “Illegality” and Deportability in Everyday Life (2002)The Study of Boundaries in the Social Sciences (2002)Memory studies: For and against (2007)Remembering research: memory and methodology in the social sciences (2009)Record and remember: Memory and meaning-making practices through mobile media (2015)
this work references cited by second hop

References

  • 1991Borders and Boundaries of State and Self at the End of Empire581 cited
  • 2002An Everyday Magic159 cited
  • 2003Memory and popular film142 cited
  • 2006I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research86 cited
  • 2011New Cinema Histories71 cited
  • 2010Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema48 cited
  • 2009Cultura, identidad y memoria. Materiales para una sociología de los procesos culturales en las franjas fronterizas48 cited
  • 2004Heterotopia, heterochronia: place and time in cinema memory33 cited
  • 2010Metropolitan vs rural cinemagoing in Flanders, 1925-7526 cited
  • 2011What to Do with Cinema Memory?26 cited
  • 2003Memory reclamation of cinema going in Bridgend, South Wales, 1930–196020 cited
  • 2013CINEMAGOING AS A CONDITIONAL PART OF EVERYDAY LIFE9 cited

Cited by

  • 2019Exhibición y programación cinematográfica en León, México desde la perspectiva de la Nueva Historia del Cine (1940 A 1970)5 cited

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